Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
In this generative workshop, we’ll look at examples by writers who use fragments in various ways, and try inventive writing exercises and strategies for creating a memoir from fragments. Fragments can stand on their own as micro-memoirs or be woven together into a larger work. This class is for writers at all levels. Access Program
Writing can be emotionally exhausting. It can have a substantial physiological effect on the body: as you imagine an emotional scene, your body will sometimes go through the experience as if it were happening. And on top of that there's the anxiety, self-doubt, and judgment that many writers struggle with. In this 8 week course
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
As many of us now know, traumatic memory doesn’t always function linearly. There is no clear beginning or end, as trauma literally relives itself in the brain. Because of this, it can make it difficult to craft a memoir that has trauma as one of its themes of focus. In this workshop we will work
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week to discuss problems we're having with manuscripts, and design a schedule for each student to ensure everyone addresses the issues specific to their draft. This
In his 1974 book, Working, Studs Terkel begins by saying, “This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body.”
Explore what it means to be alive in our current world through the weird and expansive genre of speculative fiction that gives us a way to look at social and/or
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed,
Throughout history, writers have used lyrical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
The novella has its own parameters, intricacies, and rewards. Together we’ll look at the novella’s histories, jewels, origins, and how its varying structures still feed into the overall design. Students can use this experience to either enhance their own novellas, or learn more about this fascinating literary form.
How and why do we write about non-human animals, and how might we write about them in new ways? Through discussion, short readings, and writing exercises, we will explore varying approaches to writing about other species in our time of mass extinction and global warming. No experience necessary.
When it comes to writing short fiction and novels, the ideas we’ve absorbed about narrativizing from our outside lives often don’t apply. Even the most thrilling story, if written without a reverence to form, loses its audience quickly. In this seminar on literary style, we’ll study the most minute of authorial choices, coming to understand how subjectivity comes through on the subconscious level of the sentence.
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry,
Together, we will delve into the intimate sensory memories that food evokes. How can writing about food open up evocative spaces of comfort, family, memory, shared rituals, and desires? How can writing through and about food radically strengthen our communities and open up our creative craft?
Bring one or two of your most promising poems-in-process, and we will work through ways to make them more like what they want to be. This will not be a critique session, but a workshop in generative revision.
In this workshop, we’ll discover parallels between visual and written art, and use pieces in the museum collection to inspire poetry.
In this workshop, we'll learn how to build a fictional world and add texture to imaginary settings.
In this workshop, we’ll learn journalistic storytelling techniques and explore how they can be used to cover social justice stories.
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, making it a very unique form.
Let's spend a few hours together exploring the practice of revision! Too often revision is just a fancy word for copy-editing. But it can be more. In this three hour class we will explore different revision exercises using a recent poem and how we can break old revision habits and constructs.
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
The hybrid genre of erasure and collage often exists between and because of two different mediums: text and image. Through obscuring a pre-existing text using various methods, an original work
While we may know of essays as personal narratives crafted with creative storytelling techniques, essay as a verb means an attempt. In this six-week series, we’ll explore a variety of
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
What if we joined our sorrows? What if that is joy? - Ross Gay Following in the tradition of Ross Gay, and his new book, The Book of (More) Delights,
Writing novels can seem like a mystical process. Write every day, and a novel will appear. The work can feel isolating and disorienting, particularly for a writer’s first book, like
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
"I’m half crazy with the wonder of it- the abundance of leaves, the quietness of the branches, the hopelessness of my effort. And I’m, in that delicious and important place,
This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
Generate pages and explore the finer nuances of the world of your short story or novel in this Fiction Intensive! Over the course of 12 weeks, participants will work on
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
In this class, we will drop all worry about being “writers.” Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by writers who have turned their attention to the smallest noticings of life—observations of what is. Through writing together to prompts during our sessions, we will
What is a ghost if not spirit energy yearning for form and expression? In our time together, we’ll explore a range of structures capable of hosting ghosts, from epistolary to erasure, concrete shapes, the haunted dialogues of contrapuntals, and the glorious twisting and (re)turning form of obsession: the sestina. What’s following us? What can we
This six-week class will hold space for creative nonfiction writers to write and discuss short creative nonfiction works (memoir, essay, lyric essay). Writers at every level---from beginner to experienced---are welcome to join this workshop. Session time will consist of in-class writing and brief, focused discussions of students' short creative nonfiction works. Students will write 3-
One of the central struggles in storytelling is that human beings are, in essence, time travelers. We live in the past of our memories and the future of our hopes. Thus, when we tell stories, we often shuttle around in time. This can be exciting, but more often it winds up confusing the reader, and
The key to any unforgettable work of prose resides in the quality of its scenes. In this class, we’ll look at some of the best scenes ever written and investigate what it takes to write a scene that keeps readers on the edges of their seats. We’ll also discuss how structuring scenes can create a
In this six week class, students will explore the lyric essay form and learn to appreciate what makes it one of the most imaginative and creative writing genres around. Class Takeaways We’ll discuss the key elements of a good lyric essay and what traditional forms we need to unlearn as writers before we enter this
How do you describe the Oregon coast, a garden full of dahlias, or the vibe of your favorite coffee shop? How do you write about a crowd of people? A fictional fishing village? A cold office? Or break down the symbolism of your protagonist’s kitchen junk drawer? The course will help writers currently working in
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