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Oracles, Intuition, and Creativity

August 4 – September 1, 2021
Wednesdays, 6:00-8:00 p.m. (five sessions)
online via Zoom

$280 (includes a copy of the Personal Oracle (Second Edition) and an accompanying journal)

Forge a deeper connection with your intuition in this 5-week course exploring intuitive processes and symbolism in creative practice. Students will work with The Personal Oracle deck, designed by instructor Coleman Stevenson, to stretch their symbolic awareness and sharpen their creative instincts. The cards and other divinatory methods will be used as prompts for storytelling and other creative writing exercises as well. This is a great class for card readers who want to expand their reading methods to include visual and intuitive reading AND for writers who want to explore alternative composition methods. No prior experience with cartomancy is required. Tuition for the course includes a copy of The Personal Oracle (Second Edition) and an accompanying journal for exploring the cards.

Access Program
We want our writing classes to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classses have at least one access spot available. Contact Susan Moore at susan@literary-arts.org if you would like to take a writing class at the Access Rate.

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Coleman Stevenson

Coleman Stevenson is the author of Breakfast, The Accidental Rarefication of Pattern #5609, The Dark Exact Tarot Guide, and a book of essays accompanying the card game Metaphysik. Her latest collection of poems is Light Sleeper. Her writing has appeared in a variety of publications such as Seattle Review, Mid-American Review, Louisiana Literature, tarot.com, and the anthology Motionless from the Iron Bridge. In addition to her work as a designer of tarot and oracle decks through her company The Dark Exact, her fine art work, exhibited in galleries around the Pacific Northwest, focuses on the intersections between image and text. She has been a guest curator for various gallery spaces in the Portland, Oregon, area, and has taught poetry, design theory, and cultural studies at a number of different institutions there.
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