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Postcolonial Love Poem: Natalie Diaz & Live Wire Radio

Fri, Nov 20, 2020 from 12:00 pm - 12:45 pm PST
Livestream at PDXBookFest.org
#PDXBookFest

Free

This event has been rescheduled from Monday to Friday.

Poet Natalie Diaz discusses her new collection, Postcolonial Love Poem, longlisted for the 2020 National Book Award, with Live Wire Radio host Luke Burbank and announcer Elena Passarello. Join us for a live streamed discussion, recording for later broadcast on Live Wire Radio.


To view this event, go to: https://www.pdxbookfest.org/daily-live-stream/

If you have not done so already, you will need to register for a free account at pdxbookfest.org so you are able to access all of our free Portland Book Festival events, including this one. You only need to register once to have access to all free festival events.


About Postcolonial Love Poem

“Diaz’s collection is no doubt one of the most important poetry releases in years, one to applaud for its considerable demonstration of skill, its resistance to dominant perspectives and its light wrought of desire.”
The New York Times Book Review

Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.

Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love. (via)


PURCHASE POSTCOLONIAL LOVE POEM

All books purchased through festival events, FROM Annie Bloom’s BooksBroadway BooksGreen Bean Books, or Powell’s Books, support the authors and publishers who share their work at the festival and the booksellers who have worked hard to keep their businesses open during these difficult times. by purchasing books from these bookstores you are supporting the sustainability of the festival.

Natalie Diaz

Natalie Diaz is the author of the award-winning poetry collection When My Brother Was an Aztec. Her most recent collection is Postcolonial Love Poem. She has received many honors, including a MacArthur Fellowship, a US Artists Ford Fellowship, and a Lannan Literary Fellowship. She teaches at Arizona State University.

Purchase Postcolonial Love Poem from Broadway Books, one of our Portland-based, independent bookstore partners HERE.

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Elena Passarello

Elena Passarello is an actor, essayist, and recipient of a 2015 Whiting Award. Her work has appeared in the New York Times, Paris Review, and The Best American Science and Nature Writing 2018, and has been translated into German, Italian, French, and Mandarin. She is the author of the essay collections Let Me Clear My Throat and Animals Strike Curious Poses, the latter of which won the 2018 Oregon Book Award in Creative Nonfiction and made the Best Books of 2017 lists in the New York Times, Guardian, and Publisher's Weekly. Passarello teaches creative writing at Oregon State University and appears weekly on the nationally-syndicated PRI radio variety show LiveWire!.
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