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All of the Marvels: Douglas Wolk & Kelly Sue DeConnick

Sat, November 13 from 3:00 pm - 4:00 pm PST
1119 SW Park Ave Portland, OR 97205

All of the Marvels: A Journey to the End of the Biggest Story Ever Told is the first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale. Comics writer, critic, and journalist Douglas Wolk discusses his epic adventure with Kelly Sue DeConnick (Captain Marvel, Avengers Assemble, Bitch Planet, Pretty Deadly).

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THIS EVENT IS LIVE, IN PERSON. TO PARTICIPATE, YOU MUST ATTEND IN PERSON; IN-PERSON EVENTS WILL NOT BE BROADCAST VIRTUALLY.

Please note: All attendees to the in-person Festival must show proof of vaccination, or a negative COVID test taken within 72 hours of the event date to attend. Mask must be worn in accordance with local mandates. Read more here.

ABOUT All of the Marvels

The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.

And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.

As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

“What sounds like a madman’s quest turns out to be a deeply emotional hero’s journey. The best work yet from the best writer about the medium of comics.”
—Brian K. Vaughan (Saga)

ORDER ALL OF THE MARVELSANNIE BLOOM’S | BROADWAY | POWELL’S

Douglas Wolk

Comics writer, critic, journalist and teacher Douglas Wolk is the author of the Eisner Award-winning Reading Comics and the host of the podcast “The Voice of Latveria.” A National Arts Journalism Program Fellow, Wolk has written about comic books, graphic novels, pop music and technology for the New York Times, Rolling Stone, the Washington Post, the Los Angeles Times, The Believer, Slate, and Pitchfork. He lives in Portland, Oregon. His new book is All of the Marvels.

Order All of the Marvels: annie bloom's | broadway | powell's

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Kelly Sue DeConnick

Kelly Sue DeConnick began her comics career writing the English adaptations of Japanese manga for Tokyopop and VIZ. After five years and more than 10,000 pages on books like SLAM DUNK, BLUE SPRING and SEXY VOICE AND ROBO, she transitioned to American comics with 30 DAYS OF NIGHT: EBEN AND STELLA at IDW and OSBORN: EVIL INCARCERATED at Marvel. Today, DeConnick is well-known in the mainstream market as the force behind Carol Danvers' reinvention as Captain Marvel (the book that gave rise to the Carol Corps and influenced the 2019 film, for which she worked as a consultant) and as the first female writer of an ongoing Avengers title in AVENGERS ASSEMBLE. In 2013, DeConnick debuted on the independent scene in a big way with PRETTY DEADLY, a brutal mythological Western co-created with Spanish artist Emma Ríos. Hot on the heels of that critical and commercial success, DeConnick and co-creator Valentine De Landro masterminded the sci-fi kidney-punch called BITCH PLANET. This (also Eisner Award-nominated) ongoing series has been met with rave reviews since its debut in December 2014. She made her appearance writing for DC Comics with the ongoing series AQUAMAN in 2018. She currently develops television with her husband and partner, Matt Fraction, as Milkfed Criminal Masterminds. DeConnick co-founded and co-owns GOOD TROUBLE PRODUCTIONS with Andrew Aydin, Valentine De Landro, Matt Fraction, and Vaughn Shinall. Their first major project, RUN, produced with Congressman John Lewis and Abrams Comicarts, is in stores now.
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