Vanity Fair (“A Novel without a Hero”), by William Makepeace Thackeray (1848), belongs on the same shelf with other towering novels of the Victorian age: Bleak House, Middlemarch, Jane Eyre, and The Way We Live Now. Its protagonist, Becky Sharp, is one of the most tantalizing, bewitching, infuriating, charming, scheming, and amoral characters in all
Novels of ghosts and haunted landscapes can open the door to discussions of sociology and repression, trauma, and the cathartic function of horror. In this seminar, we will examine themes of possession, repression, haunting, and the mad woman in the attic in three Victorian and American horror novels from the 19th, 20th, and 21st centuries:
The Symposium by Plato asks: what is love? It is the story of a banquet in classical Athens, attended by Socrates and his friends, at which each person tells a story about the origin of Love. These stories are full of deep psychological insight, powerful mythic imagination, and profound philosophical reflection that have made The
The American novelist Walker Percy described The Brothers Karamazov as “maybe the greatest novel of all time . . . . almost prophesies and prefigures everything—all the bloody mess and the issues of the 20th century.” It’s fair to extend Percy’s observation to include the mess of the present century as well. The Brothers K
Though published many decades apart, these two texts share similarities both in their subject matter and their experimental qualities. Just as Dictee cannot be merely labeled as a memoir and DMZ Colony cannot be labeled purely as a poetry collection, both texts expand our understanding of genre by weaving together prose, poetry and photographs. Moreover,
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