Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
This class, held outdoors at Mt. Tabor Park, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will
This class, held outdoors at Hoyt Arboretum, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will include
Tarot, the ancient card system, is having a 21st century renaissance. With more and more artists improving upon the medieval straight, white, thin and able-bodied imagery, today everyone can find
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the floor for hours and hours? Our best writing days are often imbued with that same sense of timelessness, freedom, wonder, and escape—in other words, our
When was the last story you read that really changed you? Maybe you thought about it for days, weeks, you’ve re-read it over the years. And maybe you said to yourself, “I wish I could write like that. How’d they do that?” This course is all about the how. In this combination craft and workshop
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants will look at examples of prose memoir in which the writer uses the poet’s tools of meditation, dream, and lyricism, and then do their own
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit a very unique form. I will provide craft essays and
Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk about how hunger translates across unsaid emotions. Drawing upon sensory texts about snacking, groceries, and meals both extravagant and humble, we’ll learn new ways to
“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of plot in narrative, from Aristotle down to contemporary literary fiction. We will also explore the essential characteristics of a great plot and the rewards of
This class will take you from idea to rough draft in four hours. Picture books are so much more than stories with short text for young readers. We’ll study the picture book form, then construct stories in picturebook form, playing with powerful tools such as repetition, suspenseful page turns, and the rule of threes. You
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we'll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform
Memoir is a unique and exciting format in which the writer has the creative freedom to tell some portion of their life’s story in a captivating way. We don’t necessarily need to read your story from birth up to the present day but like any good novel, a good memoir should have a story arc,
Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed in a small space. Here, all the usual craft questions are present (what gets included, and what gets left out? Where to begin? How to
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
In this supportive workshop, you will learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing
In this class we will delve into the complexities of knowing ourselves when our histories and lineages are fragmented. We will explore how we can create a sense of unity
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
This course will take a close look how to effectively use the child narrator when writing personal narrative or fiction. Using textual examples, we’ll look at what kinds of situations
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like
This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week
In his 1974 book, Working, Studs Terkel begins by saying, “This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body.” That “violence” is, to some, an idea intrinsically tied to the idea of American exceptionalism. For others, however, it represents nothing less than profound and
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Bring one or two of your most promising poems-in-process, and we will work through ways to make them more like what they want to be. This will not be a critique session, but a workshop in generative revision.
In this workshop, we’ll discover parallels between visual and written art, and use pieces in the museum collection to inspire poetry.
In this workshop, we'll learn how to build a fictional world and add texture to imaginary settings.
In this workshop, we’ll learn journalistic storytelling techniques and explore how they can be used to cover social justice stories.
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, making it a very unique form.
The hybrid genre of erasure and collage often exists between and because of two different mediums: text and image. Through obscuring a pre-existing text using various methods, an original work is created. Like erasure and collage, we as writers and community members exist between and because of various factors and people. What we amplify in
One of the central struggles in storytelling is that human beings are, in essence, time travelers. We live in the past of our memories and the future of our hopes. Thus, when we tell stories, we often shuttle around in time. This can be exciting, but more often it winds up confusing the reader, and
The key to any unforgettable work of prose resides in the quality of its scenes. In this class, we’ll look at some of the best scenes ever written and investigate what it takes to write a scene that keeps readers on the edges of their seats. We’ll also discuss how structuring scenes can create a
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