Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
Creative nonfiction utilizes non-linear structures to “think” into complex or ambiguous subjects. In this class, we will deepen our practice with the form by working with a new or established draft of a story or essay. Writing prompts and drafting techniques will allow students to experiment with structure and voice. Outside reading assignments and in-class
Since antiquity, poets have used lyrical techniques to access states of consciousness we associate with grief and trauma. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading, conversation, and various prompts and exercises to catalyze memory and thinking. We will
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Scholarships are available. Contact Susan
The first sentences of a work can connect instantly to your character and their dilemma so that your reader is immediately hooked into your story. In this 3 hour class, we'll unpack the beginnings from our favorite books and movies to understand how everything you release in the first paragraphs is vital for your story arc.
How do you find literary magazines that want your work? What's the best way of getting an editor's attention? This workshop will give you the tools to set up your submission process so you can easily track submissions, learn when to follow up, and how to improve your chances of being published. Access Program We
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the best way to give and receive feedback to writers in a workshop setting? This class invites you to explore the fundamentals of creative nonfiction, including
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
This class, held outdoors at Mt. Tabor Park, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will include several invitations to explore your senses and your relationship with nature, time for written reflection, and opportunities to share your observations and your writing,
This 4 -week short fiction workshop will focus on generating new work and simply getting words down on a page. We will read excerpts, share just-written work aloud, and sometimes discuss assigned weekly readings together. We will investigate ways to unearth material together and share strategies for maintaining a regular writing practice. Participants will leave
How to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move rapidly through weeks, years, or even decades? Should we go back in time to unpack and understand a character's motivation? How does the manipulation of
This class, held outdoors at Hoyt Arboretum, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will include several invitations to explore your senses and your relationship with nature, time for written reflection, and opportunities to share your observations and your writing, if
This 8-week class is focused on holding yourself and your classmates accountable to your writing goals. Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional
Creative nonfiction utilizes non-linear structures to “think” into complex or ambiguous subjects. In this class, we will explore the relationship between form and content in memoir, deepening our practice by working with a draft of a story or essay. Outside reading assignments and in-class writing and revision exercises will encourage experimentation and writing play. We will
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit a very unique form. I will provide craft essays and
Tarot, the ancient card system, is having a 21st century renaissance. With more and more artists improving upon the medieval straight, white, thin and able-bodied imagery, today everyone can find a deck that speaks to them. Whether you are a curious newcomer to tarot, an burgeoning beginner or a pro, this lecture-style workshop will walk
It’s all about the relationship! In this workshop you’ll learn when and how to search for an agent, what you need for a powerful query letter, and the nuts and
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
Can we “chase” our imagination to its source? Where does creativity happen in the mind? These are some of the questions Lynda Barry explores in her book Syllabus, which describes
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the floor for hours and hours? Our best writing days are often imbued with that same sense of timelessness, freedom, wonder, and escape—in other words, our
When was the last story you read that really changed you? Maybe you thought about it for days, weeks, you’ve re-read it over the years. And maybe you said to yourself, “I wish I could write like that. How’d they do that?” This course is all about the how. In this combination craft and workshop
Do you think in lengthy narrative strands, elegantly formed with a beginning, middle and an end? I don’t. I flit from image, to feeling, to recrimination, to joy. Light flickers over my memories, both happy and hard. I call these messy memories ‘stamps,’ events or moments that have imprinted upon me in unshakeable ways. In
This class begins in September, with the goal of finishing a complete draft of a memoir by June. Participants do not need to be published writers; however, they should have some experience with elements of memoir, including character, setting, dialogue and scene, and have a clear project in mind that they will devote nine months
This 8-week class is focused on holding yourself and your classmates accountable to your writing goals. Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Delve for Writers is a new, occasional Delve series that offers seminars that focus on close readings of narrative, form, and stylistic choices that writers can incorporate into their own writing practice. Creative nonfiction is the perfect place to find voice, ideas and perspective – and nobody does it better Joan Didion and contemporary groundbreaker
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain essential truths of the larger world. The challenge we face as poets is how to transform our lived experiences–creatively and imaginatively–into art that can be
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories.
If a story leads exactly where you would expect it to go, then both the writer and the reader have discovered nothing. How do we expand our well-behaved, satisfying stories to fully burst into the mystery and unpredictability of human experience? This discussion class will give participants the tools to examine great stories for the
We're all familiar with satisfying story shape, the arc of a story that follows the pattern of jokes and sex—the inciting incident, rising action, crisis and the falling action. Yet sometimes this pattern can leave a story flat, without room for wonder. If a story leads exactly where you would expect it to go, then
This course is for all levels of writers and readers; the only requirement is a desire to take a deep dive into the unique art of autofiction (autobiographical fiction). We will read and discuss excerpts from contemporary authors who write within the genre, such as Lucia Berlin, Tao Lin, Edouard Louis, Chris Kraus, Garth Greenwell,
In this online three-part workshop, participants will explore various methods of using the Tarot and other simple forms of divination as prompts for poems. We will allow ourselves to be guided intuitively in our creations, suppressing the urge to control the process intellectually. Session One will be purely generative, focusing on starting and progressing new
There is a great temptation to airbrush ourselves on the page, to fill in the pockmarks of our flaws—and yet this leaves us not only less trustworthy, but less interesting. Students will explore how the contradictions in their personalities—the gaps between dirty laundry and grace—are the most interesting spaces for both readers and writers. Together,
This generative workshop will focus on the skills involved in creating and sustaining vibrant and complex characters. Through a series of in-workshop prompts and exercises participants will create and bring to life vivid characters. We will focus on physical description, internal life, setting, scene, action, and dialogue to round out and bring our creations to
How do the big questions of our time--from climate change to racism--inhabit the stories of our lives? And what does it look like on the page to tell exquisitely personal stories in ways that gesture toward larger concerns? In this 2-hour workshop, writers will uncover some of the big questions buried in their own narratives,
John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants will look at examples of prose memoir in which the writer uses the poet’s tools of meditation, dream, and lyricism, and then do their own
In this workshop, we’ll learn how to talk to and about artwork through poetry. Also known as Ekphrastic writing! We’ll look at examples of other artists and writers who have
The famous abstract painter Joan Mitchell once said, “My paintings repeat a feeling about Lake Michigan, or water, or fields. … it’s more like a poem, and that’s what I
“She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect.”-Jane Austen, from Persuasion In this workshop, we will write stories built around dialogue, around speech. Once written, we will perform the words aloud, seeing how they flow
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit a very unique form. I will provide craft essays and
Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk about how hunger translates across unsaid emotions. Drawing upon sensory texts about snacking, groceries, and meals both extravagant and humble, we’ll learn new ways to
“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of plot in narrative, from Aristotle down to contemporary literary fiction. We will also explore the essential characteristics of a great plot and the rewards of
This class will take you from idea to rough draft in four hours. Picture books are so much more than stories with short text for young readers. We’ll study the picture book form, then construct stories in picturebook form, playing with powerful tools such as repetition, suspenseful page turns, and the rule of threes. You
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