• April 25, 2024
          From Idea to Manuscript: Crafting Your Picture Book
          April 25, 2024
          Verselandia! Youth Poetry Slam Championship (2024)
          April 26, 2024
          BIPOC Reading Series April
          May 1, 2024
          Epistolary: Poems to Our Past and Futures Selves
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Events, Classes, and Seminars

Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.

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Sunday

May 15

Saturday

May 21

online class   Writing Classes  

Where Do You Start: Writing Beginnings

The  first sentences of a work can connect instantly to your character and their dilemma so that your reader is immediately hooked into your story. In this 3 hour class, we'll unpack the beginnings from our favorite books and movies to understand how everything you release in the first paragraphs is vital for your story arc.

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Saturday

May 28

online class   Writing Classes  

Getting Published: Literary Magazines

How do you find literary magazines that want your work? What's the best way of getting an editor's attention? This workshop will give you the tools to set up your submission process so you can easily track submissions, learn when to follow up, and how to improve your chances of being published. Access Program We

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Monday

May 30

online class   Writing Classes  

The Break with Kaveh Akbar

In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not

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Wednesday

Jun 8

online class   Writing Classes  

Creative Nonfiction I

How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the best way to give and receive feedback to writers in a workshop setting? This class invites you to explore the fundamentals of creative nonfiction, including

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Monday

Jun 27

Tuesday

Jun 28

Wednesday

Jul 6

Sunday

Jul 10

Tuesday

Jul 12

Thursday

Jul 28

Saturday

Jul 30

Saturday

Jul 30

Saturday

Aug 6

Saturday

Sep 10

Wednesday

Sep 14

Thursday

Sep 15

Thursday

Sep 15

Tuesday

Sep 20

Wednesday

Sep 21

Saturday

Sep 24

Saturday

Sep 24

Wednesday

Sep 28

Saturday

Oct 1

Monday

Oct 3

Delve for Writers   Delve Readers Seminars   In-person   Writing Classes  

Delve for Writers: Joan Didion and Durga Chew-Bose

Delve for Writers is a new, occasional Delve series that offers seminars that focus on close readings of narrative, form, and stylistic choices that writers can incorporate into their own writing practice. Creative nonfiction is the perfect place to find voice, ideas and perspective – and nobody does it better Joan Didion and contemporary groundbreaker

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Wednesday

Oct 5

Saturday

Oct 15

Tuesday

Oct 18

Wednesday

Oct 19

Wednesday

Oct 19

Tuesday

Oct 25

Tuesday

Nov 1

online class   Portland Book Festival   Writing Classes  

Poetry Through Divination

In this online three-part workshop, participants will explore various methods of using the Tarot and other simple forms of divination as prompts for poems. We will allow ourselves to be guided intuitively in our creations, suppressing the urge to control the process intellectually. Session One will be purely generative, focusing on starting and progressing new

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Thursday

Nov 3

online class   Portland Book Festival   Writing Classes  

Writing the Complicated Self

There is a great temptation to airbrush ourselves on the page, to fill in the pockmarks of our flaws—and yet this leaves us not only less trustworthy, but less interesting. Students will explore how the contradictions in their personalities—the gaps between dirty laundry and grace—are the most interesting spaces for both readers and writers. Together,

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Friday

Nov 4

online class   Portland Book Festival   Writing Classes  

Creating Vibrant and Complex Characters

This generative workshop will focus on the skills involved in creating and sustaining vibrant and complex characters. Through a series of in-workshop prompts and exercises participants will create and bring to life vivid characters. We will focus on physical description, internal life, setting, scene, action, and dialogue to round out and bring our creations to

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Friday

Nov 4

Saturday

Nov 5

In-person   Portland Book Festival   Writing Classes  

Starting the Memoir

John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants will look at examples of prose memoir in which the writer uses the poet’s tools of meditation, dream, and lyricism, and then do their own

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Saturday

Nov 5

Saturday

Nov 5

Portland Book Festival   Writing Classes   Young Adult   Youth Events  

Poetic Sculpture (High School Workshop)

The famous abstract painter Joan Mitchell once said, “My paintings repeat a feeling about Lake Michigan, or water, or fields. … it’s more like a poem, and that’s what I want to paint.” She was inspired by poet friends, too. In this workshop, we’ll write poetry and turn it into art. Participants brainstorm about a

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Saturday

Nov 5

Portland Book Festival   Writing Classes   Young Adult   Youth Events  

Dialogues: The Craft of Writing Conversation (High School Workshop)

“She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect.”-Jane Austen, from Persuasion In this workshop, we will write stories built around dialogue, around speech. Once written, we will perform the words aloud, seeing how they flow

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Sunday

Nov 6

In-person   Portland Book Festival   Writing Classes  

The Unique Art of Autofiction

This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit  a very unique form. I will provide craft essays and

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Sunday

Nov 6

In-person   Portland Book Festival   Writing Classes  

Writing Food

Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk about how hunger translates across unsaid emotions. Drawing upon sensory texts about snacking, groceries, and meals both extravagant and humble, we’ll learn new ways to

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Sunday

Nov 6

In-person   Portland Book Festival   Writing Classes  

“The Most Important Element”: Plot in Literary Fiction

“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of plot in narrative, from Aristotle down to contemporary literary fiction. We will also explore the essential characteristics of a great plot and the rewards of

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Sunday

Nov 6

Tuesday

Nov 8

Tuesday

Nov 15

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