Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
This generative workshop will focus on the skills involved in creating and sustaining vibrant and complex characters. Through a series of in-workshop prompts and exercises participants will create and bring to life vivid characters. We will focus on physical description, internal life, setting, scene, action, and dialogue to round out and bring our creations to
How do the big questions of our time--from climate change to racism--inhabit the stories of our lives? And what does it look like on the page to tell exquisitely personal stories in ways that gesture toward larger concerns? In this 2-hour workshop, writers will uncover some of the big questions buried in their own narratives,
John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants will look at examples of prose memoir in which the writer uses the poet’s tools of meditation, dream, and lyricism, and then do their own
In this workshop, we’ll learn how to talk to and about artwork through poetry. Also known as Ekphrastic writing! We’ll look at examples of other artists and writers who have done the same and take ourselves on a journey using writing exercises and imagination, creating poems line by line along the way.
The famous abstract painter Joan Mitchell once said, “My paintings repeat a feeling about Lake Michigan, or water, or fields. … it’s more like a poem, and that’s what I want to paint.” She was inspired by poet friends, too. In this workshop, we’ll write poetry and turn it into art. Participants brainstorm about a
“She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect.”-Jane Austen, from Persuasion In this workshop, we will write stories built around dialogue, around speech. Once written, we will perform the words aloud, seeing how they flow
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit a very unique form. I will provide craft essays and
Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk about how hunger translates across unsaid emotions. Drawing upon sensory texts about snacking, groceries, and meals both extravagant and humble, we’ll learn new ways to
“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of plot in narrative, from Aristotle down to contemporary literary fiction. We will also explore the essential characteristics of a great plot and the rewards of
This class will take you from idea to rough draft in four hours. Picture books are so much more than stories with short text for young readers. We’ll study the picture book form, then construct stories in picturebook form, playing with powerful tools such as repetition, suspenseful page turns, and the rule of threes. You
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
Poesis,” in ancient Greek, means “making.” What would it mean to make poetry a daily part of your life? How might this re-make your understanding of poetry, your life, and
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Dialogue is like music: on the page it may look great, but what it’s like when you hear it aloud? This workshop will examine what dialogue does, how to write
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a
"The creation of something new is not accomplished by the intellect but by play." —Carl Jung For a creative twist, some prose writers impose unique conditions on their work
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six
“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a
Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will
Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course
In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on
Memoir is a unique and exciting format in which the writer has the creative freedom to tell some portion of their life’s story in a captivating way. We don’t necessarily
This unique course is designed for creative aspiring writers with no prior experience, as well as those with screenwriting experience, wishing to break into television writing. Learn in an interactive
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed
In this six-week class, students will work on creating a narrative structure that will allow them to embark on the journey of the creation of their memoir. Through short and
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories.
In this class, we will drop all worry about being “writers”. Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the floor for hours and hours? Our best writing days are often imbued with that same sense of timelessness, freedom, wonder, and escape—in other words, our
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry,
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
Some stories call for a breaking of boundaries, others for a union of text and image or visual form. In this generative course, we’ll experiment with different ways of looking
In this supportive workshop, you will learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing that poem, but you feel scattered, overwhelmed, or stuck with many beginnings but no finished product, this workshop will offer you gentle and effective ways
In this class we will delve into the complexities of knowing ourselves when our histories and lineages are fragmented. We will explore how we can create a sense of unity and connectedness in a self that contains not only multitudes, but buried and forgotten histories. Through writing exercises, visioning, and ritual, we will work to
If you allow them to, ideas for art and writing can come from absolutely anywhere. This creative generation class will put that theory to the test, through a series of
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
This course will take a close look how to effectively use the child narrator when writing personal narrative or fiction. Using textual examples, we’ll look at what kinds of situations or scenes are best told from the child’s point of view, and examine how to keep the child’s voice authentic. We’ll experiment with how to
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four
This class, in the words of Nikki Finney, is about having and keeping a beautiful mind -- which is essential to building an art practice that can change or deepen
In this generative workshop, we’ll look at examples by writers who use fragments in various ways, and try inventive writing exercises and strategies for creating a memoir from fragments. Fragments can stand on their own as micro-memoirs or be woven together into a larger work. This class is for writers at all levels. Access Program
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