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Spring Forward, Fall Back: Time in Prose Writing
How to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move
ON THE TENTH SEASON OF THE ARCHIVE PROJECT, ENJOY DISCUSSIONS FROM PORTLAND ARTS & LECTURES, PORTLAND BOOK FESTIVAL, AND OTHER COMMUNITY EVENTS FROM OUR HOME IN PORTLAND, OREGON AND BEYOND.
Natalie Serber is the author of a memoir, Community Chest, and a story collection, Shout Her Lovely Name, a New York Times Notable Book of 2012, a summer reading selection from O, the Oprah Magazine, and an Oregonian Top 10 Book of the Pacific Northwest. Her fiction has appeared in The Greensboro Review, The Bellingham Review, Gulf Coast, Inkwell, and elsewhere. Essays and reviews have appeared in The New York Times, O, The Oprah Magazine, The Huffington Post and others. Natalie has been short listed in Best American Short Stories. She received her MFA from Warren Wilson College. Visit her online at natalieserber.com.
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How to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move
Do you think in lengthy narrative strands, elegantly formed with a beginning, middle and an end? I don’t. I flit from image, to feeling, to recrimination, to joy. Light flickers
If a story leads exactly where you would expect it to go, then both the writer and the reader have discovered nothing. How do we expand our well-behaved, satisfying stories
We're all familiar with satisfying story shape, the arc of a story that follows the pattern of jokes and sex—the inciting incident, rising action, crisis and the falling action. Yet
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