Memoir Online Class Writing Classes
Six Month Memoir Intensive
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four
ON THE TENTH SEASON OF THE ARCHIVE PROJECT, ENJOY DISCUSSIONS FROM PORTLAND ARTS & LECTURES, PORTLAND BOOK FESTIVAL, AND OTHER COMMUNITY EVENTS FROM OUR HOME IN PORTLAND, OREGON AND BEYOND.
Michelle Kicherer writes about books and music for the San Francisco Chronicle, Willamette Week and others. She is also a writing coach and former ghostwriter specializing in fiction and memoir. Michelle’s fiction has been published in The Master’s Review, Berkeley Fiction Review, 8142 Review and many others, and her novella Sexy Life, Hello is out in audiobook in Sept ‘24 and in print March ‘25 on Banana Pitch Press. Michelle believes there are no dumb questions in the classroom, only pretentious instructors.
Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our community space and bookstore at 716 SE Grand Avenue, Portland, OR, online, and at partnering venues across Portland and Oregon.
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
Do you have a short story that is just not feeling right? You’re not sure what it’s missing or how to fix it? Or maybe you’ve got just the start
The goal with stories, usually, is to keep us immersed in the plot line. So how do we make funny little tangents smoothly, without distracting the reader? This session will look at some examples of great transitions and practice making great little tangents of your own.
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.
Through a variety of prompts, we’ll create new work every week and practice tools for expanding existing projects and unblocking writer’s block.
In this combination workshop and craft class, we’ll examine several short stories together and look at how those stories were made. With that inspiration, we’ll look at our own stories and figure out how to get unstuck and what kinds of tweaks our stories could use.
Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.
Join us in celebrating local author and Literary Arts faculty Michelle Kicherer's debut novella, Sexy Life, Hello. Michelle will be joined in conversation by Portland Radio Project's Executive Director Veronica Bisesti. About Sexy Life, Hello "A dark comedy about a nanny who doubles as a porn star’s sexter." After getting fired from her job as
In this 1-hour workshop, participants will review three different types of writing prompts and explore how each of these types of prompts can serve their writing. Participants will then choose the prompt that speaks to them and complete a short writing exercise, with room to share reflections at the end.
In this six-week, workshop-meets-craft class, we'll dissect three different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. This class for writers with some experience includes a workshop component.
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