• May 1, 2024
          One Page Wednesday: May
          May 16, 2024
          Slamlandia
          June 5, 2024
          One Page Wednesday: June
          October 9, 2024
          Amy Tan: Portland Arts & Lectures 2024–25
  • Box Office
Loading Events
Virtual Event Virtual Event
  • This event has passed.
Virtual Event
Event Categories:

, ,

Relearning the Lyric Essay

April 16 - May 21, 2024, Tuesdays, 5:00-7:00 p.m. (six sessions)

$290

In this six week class, students will explore the lyric essay form and learn to appreciate what makes it one of the most imaginative and creative writing genres around.

Class Takeaways
We’ll discuss the key elements of a good lyric essay and what traditional forms we need to unlearn as writers before we enter this new world of wonderment.

Week 1 – What is the Lyric Essay?

Participants will be introduced to the concept of the lyric essay, its history, its scope, and what distinguishes it from other prose forms. As a related topic, we will consider the political uses of the lyric essay.

Week 2 – Braiding

This week, we will concentrate on the “braiding” technique, whereby different topics and/or narrated episodes can be woven together to create a richly textured essay.

Week 3 – Hermit Crab

This week, participants will be introduced to the “hermit crab” essay, in which the writer uses a pre-existing form as a structure for their material. Take workshop submissions for those interested.

Week 4 – Collage

Building on the work of the previous three weeks, we will look at lyric essays that use a range of different techniques and registers side by side to create a collage effect. Begin workshopping for those interested.

Week 5 – Notes, Margins, and Erasures

This week, we will look at lyric essays, which are responding to, commenting on, or subverting other texts through techniques such as annotation and erasure. A special guest writer will be visiting us to discuss her lyric essay and have a Q&A!

Week 6 – Final Week

This week, we will uncover even more of the lyric form to play with and examine how the lyric essay acts as a form of resistance.

Access Program
We want our writing classes and Delves to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and Delve tuitions at a reduced rate.Most writing classes have at least one access spot available.

Please apply here for access rate tuition. Contact Susan Moore at susan@literary-arts.org if you have questions.

Class cancellation policy
If you register for a class and need to cancel before the class begins, here’s a link to our class cancellation policy.

Tickets

The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.
Tickets are no longer available

Hillary Leftwich

Hillary Leftwich is a neurodivergent writer and author of two books, Ghosts Are Just Strangers Who Know How to Knock (Agape Editions, 2023, new edition) and Aura (Future Tense Books and Blackstone Audio Publishing, 2022). She owns Alchemy Author Services and Writing Workshop and teaches writing at several universities and colleges along with Lighthouse Writers, a local nonprofit for adults and youth. Her latest work can be found or forthcoming in The Sun, Santa Fe Writers Project, and The Rumpus. She lives in Denver.
Read more
May 2, 2024
Write the Self: the study and practice of writing from personal experience
May 9, 2024
Grief Work: Honoring Sorrow as a Generating Motor
May 13, 2024
WEIRDING THE EVERY DAY
May 18, 2024
Autofiction Weekend Intensive
June 1, 2024
The Notebook and the Creative Process
June 4, 2024
Get Writing: Unblocking Writer’s Block
June 4, 2024
How To Skin a Fox: Turning True Experiences into Fantastical Stories