Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal experience) such as Annie Erneaux, Leslie Jamison, Kate Briggs, Emmanuel Carrere, Hilton Als, Melissa Febos, Edouard Louis and others, in addition to weekly craft essays
Writers can't decide what to do with grief. It has wrongly been called too sentimental or too cold. Too traumatic or too unoriginal. But regardless of the current writerly opinion about it, grief is going nowhere. So how do we write about it? How do we write with it? This generative class will help writers
Being alive is really a very strange endeavor. Bizarre coincidences, déjà vu, the fallibility of our own memory and perceptions, and inexplicable, seemingly magical occurrences are perhaps all more commonplace than we have the space to acknowledge while contending with our busy days. Fiction allows us to ramp this strangeness up just a notch, to
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
What is the relationship between art and life practice? Where does imagination originate in the psyche? How might the in-between spaces in the day lead to creativity later on? Does writer’s block mask resources just waiting to be tapped? These are some of the questions explored by Lynda Barry, Victoria Nelson, and Annie Dillard in
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
Some real-life experiences are too bizarre, too painful, too otherworldly, to write about in a straight forward manner. What happens when point you can’t or refuse to work from point A to point B. When point A isn’t where you left it and point B has rambled off, looped back around, and jumped on the
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