Grant Faulkner is the co-founder of 100 Word Story, the co-host of the Write-minded podcast, and an executive producer on America’s Next Great Author.
He has published three books on writing: The Art of Brevity: Crafting the Very Short Story; Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo; and Brave the Page, a teen writing guide.
He’s also published All the Comfort Sin Can Provide, a collection of short stories, Fissures, a collection of 100-word stories, and Nothing Short of 100: Selected Tales from 100 Word Story.
His “flash novel,” Something out there in the distance, a collaboration with the photographer Gail Butensky, is coming out in September 2025 with the University of New Mexico Press.
His stories have appeared in dozens of literary magazines, including Tin House, The Southwest Review, and The Gettysburg Review, and he has been anthologized in collections such as Norton’s Flash Fiction America; New Micro: Exceptionally Short Fiction; and in several editions of the annual Best Small Fictions and Best Microfiction anthologies.
His essays on creativity have been published in The New York Times, Poets & Writers, Lit Hub, Writer’s Digest, and The Writer. He serves on the National Writing Project Writers Council, Litquake’s board of directors, and the Aspen Institute’s Aspen Words’ Creative Council.
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In flash fiction, the whole is a part and the part is a whole. The form forces the writer to question each word, to reckon with Flaubert’s mot juste, and move a story by hints and implications. Flash stories are built through gaps as much as the connective tissue of words, so what’s left out of a story is often more important than what’s included.
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