Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
This 8-week class is focused on holding yourself and your classmates accountable to your writing goals. Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Delve for Writers is a new, occasional Delve series that offers seminars that focus on close readings of narrative, form, and stylistic choices that writers can incorporate into their own writing practice. Creative nonfiction is the perfect place to find voice, ideas and perspective – and nobody does it better Joan Didion and contemporary groundbreaker
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain essential truths of the larger world. The challenge we face as poets is how to transform our lived experiences–creatively and imaginatively–into art that can be
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories.
If a story leads exactly where you would expect it to go, then both the writer and the reader have discovered nothing. How do we expand our well-behaved, satisfying stories to fully burst into the mystery and unpredictability of human experience? This discussion class will give participants the tools to examine great stories for the
We're all familiar with satisfying story shape, the arc of a story that follows the pattern of jokes and sex—the inciting incident, rising action, crisis and the falling action. Yet sometimes this pattern can leave a story flat, without room for wonder. If a story leads exactly where you would expect it to go, then
This course is for all levels of writers and readers; the only requirement is a desire to take a deep dive into the unique art of autofiction (autobiographical fiction). We will read and discuss excerpts from contemporary authors who write within the genre, such as Lucia Berlin, Tao Lin, Edouard Louis, Chris Kraus, Garth Greenwell,
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
In this online three-part workshop, participants will explore various methods of using the Tarot and other simple forms of divination as prompts for poems. We will allow ourselves to be
There is a great temptation to airbrush ourselves on the page, to fill in the pockmarks of our flaws—and yet this leaves us not only less trustworthy, but less interesting.
This generative workshop will focus on the skills involved in creating and sustaining vibrant and complex characters. Through a series of in-workshop prompts and exercises participants will create and bring
How do the big questions of our time--from climate change to racism--inhabit the stories of our lives? And what does it look like on the page to tell exquisitely personal
John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants
In this workshop, we’ll learn how to talk to and about artwork through poetry. Also known as Ekphrastic writing! We’ll look at examples of other artists and writers who have
The famous abstract painter Joan Mitchell once said, “My paintings repeat a feeling about Lake Michigan, or water, or fields. … it’s more like a poem, and that’s what I
“She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect.”-Jane Austen, from
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves
Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk
“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of
This class will take you from idea to rough draft in four hours. Picture books are so much more than stories with short text for young readers. We’ll study the
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
Poesis,” in ancient Greek, means “making.” What would it mean to make poetry a daily part of your life? How might this re-make your understanding of poetry, your life, and
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
Dialogue is like music: on the page it may look great, but what it’s like when you hear it aloud? This workshop will examine what dialogue does, how to write it – and when to use it. We’ll practice shaping and creating dialogues we can share. Access Program We want our writing classes and Delves
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we'll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform
"The creation of something new is not accomplished by the intellect but by play." —Carl Jung For a creative twist, some prose writers impose unique conditions on their work as they craft a piece. Dr. Seuss wrote Green Eggs and Ham on a bet: that he couldn’t write an entire book using only 50
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six
“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a
Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will
Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on this rich subject inspired this time by Ross Gay’s most recent book, Inciting Joy. This is a generative writing class where most of our time
Memoir is a unique and exciting format in which the writer has the creative freedom to tell some portion of their life’s story in a captivating way. We don’t necessarily need to read your story from birth up to the present day but like any good novel, a good memoir should have a story arc,
This unique course is designed for creative aspiring writers with no prior experience, as well as those with screenwriting experience, wishing to break into television writing. Learn in an interactive environment the basics of creating, writing, and presenting your first television script for both drama and/or comedy, including how to take your idea to the
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed in a small space. Here, all the usual craft questions are present (what gets included, and what gets left out? Where to begin? How to
In this six-week class, students will work on creating a narrative structure that will allow them to embark on the journey of the creation of their memoir. Through short and long readings, the class will study and develop characterization, setting, and narrative voice besides learning to mine memory and research for detail. A 10–15-page project
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
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