Events, Classes, and Seminars

The  first sentences of a work can connect instantly to your character and their dilemma so that your reader is immediately hooked into your story. In this 3 hour class,

How do you find literary magazines that want your work? What's the best way of getting an editor's attention? This workshop will give you the tools to set up your

How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the best way to give and receive feedback to writers in a workshop setting? This class invites you to explore the fundamentals of creative nonfiction, including

This 4 -week short fiction workshop will focus on generating new work and simply getting words down on a page.  We will read excerpts, share just-written work aloud, and sometimes discuss assigned weekly readings together. We will investigate ways to unearth material together and share strategies for maintaining a regular writing practice. Participants will leave

How to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move rapidly through weeks, years, or even decades? Should we go back in time to unpack and understand a character's motivation? How does the manipulation of

This 8-week class is focused on holding yourself and your classmates accountable to your writing goals.  Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional

Creative nonfiction utilizes non-linear structures to “think” into complex or ambiguous subjects. In this class, we will explore the relationship between form and content in memoir, deepening our practice by working with a draft of a story or essay. Outside reading assignments and in-class writing and revision exercises will encourage experimentation and writing play. We will

This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit  a very unique form. I will provide craft essays and

This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including

Can we “chase” our imagination to its source? Where does creativity happen in the mind? These are some of the questions Lynda Barry explores in her book Syllabus, which describes the author’s lifelong investigation of the creative process. Participants will discuss Barry's techniques, and visit their own creative process, and perhaps draft a new story,

This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including

Do you think in lengthy narrative strands, elegantly formed with a beginning, middle and an end? I don’t. I flit from image, to feeling, to recrimination, to joy. Light flickers over my memories, both happy and hard. I call these messy memories ‘stamps,’ events or moments that have imprinted upon me in unshakeable ways. In

This 8-week class is focused on holding yourself and your classmates accountable to your writing goals.  Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional

The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of

Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course

In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on