BIPOC writers Writing Classes
BIPOC Writing Workshop: November
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
ON THE TENTH SEASON OF THE ARCHIVE PROJECT, ENJOY DISCUSSIONS FROM PORTLAND ARTS & LECTURES, PORTLAND BOOK FESTIVAL, AND OTHER COMMUNITY EVENTS FROM OUR HOME IN PORTLAND, OREGON AND BEYOND.
Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Dialogue is like music: on the page it may look great, but what it’s like when you hear it aloud? This workshop will examine what dialogue does, how to write it – and when to use it. We’ll practice shaping and creating dialogues we can share. Access Program We want our writing classes and Delves
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we'll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform
"The creation of something new is not accomplished by the intellect but by play." —Carl Jung For a creative twist, some prose writers impose unique conditions on their work as they craft a piece. Dr. Seuss wrote Green Eggs and Ham on a bet: that he couldn’t write an entire book using only 50
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six
“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a
Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will
Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course
In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on
Memoir is a unique and exciting format in which the writer has the creative freedom to tell some portion of their life’s story in a captivating way. We don’t necessarily
This unique course is designed for creative aspiring writers with no prior experience, as well as those with screenwriting experience, wishing to break into television writing. Learn in an interactive
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed
In this six-week class, students will work on creating a narrative structure that will allow them to embark on the journey of the creation of their memoir. Through short and
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of
In this class, we will drop all worry about being “writers”. Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the best way to give and receive feedback to writers in a workshop setting? This class invites you to explore the fundamentals of creative nonfiction, including
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry, a bit of fiction; it celebrates mixing genres. In this workshop, we will write a series of fragments in response to prompts, and then braid
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
Some stories call for a breaking of boundaries, others for a union of text and image or visual form. In this generative course, we’ll experiment with different ways of looking and create image/text hybrids, concrete poems, and docupoetic essays. We’ll read works by Don Mee Choi, Dao Strom, CA Conrad, Renee Gladman, and others, and
In this supportive workshop, you will learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing that poem, but you feel scattered, overwhelmed, or stuck with many beginnings but no finished product, this workshop will offer you gentle and effective ways
In this class we will delve into the complexities of knowing ourselves when our histories and lineages are fragmented. We will explore how we can create a sense of unity and connectedness in a self that contains not only multitudes, but buried and forgotten histories. Through writing exercises, visioning, and ritual, we will work to
If you allow them to, ideas for art and writing can come from absolutely anywhere. This creative generation class will put that theory to the test, through a series of experiments in creative problem-solving, spontaneous and chance-based play, and other exploratory prompts that challenge you to work outside your normal modes and investigate how the
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
This course will take a close look how to effectively use the child narrator when writing personal narrative or fiction. Using textual examples, we’ll look at what kinds of situations
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four
This class, in the words of Nikki Finney, is about having and keeping a beautiful mind -- which is essential to building an art practice that can change or deepen
In this generative workshop, we’ll look at examples by writers who use fragments in various ways, and try inventive writing exercises and strategies for creating a memoir from fragments. Fragments
Writing can be emotionally exhausting. It can have a substantial physiological effect on the body: as you imagine an emotional scene, your body will sometimes go through the experience as
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
As many of us now know, traumatic memory doesn’t always function linearly. There is no clear beginning or end, as trauma literally relives itself in the brain. Because of this,
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week
In his 1974 book, Working, Studs Terkel begins by saying, “This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body.”
Explore what it means to be alive in our current world through the weird and expansive genre of speculative fiction that gives us a way to look at social and/or
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Throughout history, writers have used lyrical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
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