BIPOC writers Writing Classes
BIPOC Writing Workshop: November
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
ON THE TENTH SEASON OF THE ARCHIVE PROJECT, ENJOY DISCUSSIONS FROM PORTLAND ARTS & LECTURES, PORTLAND BOOK FESTIVAL, AND OTHER COMMUNITY EVENTS FROM OUR HOME IN PORTLAND, OREGON AND BEYOND.
Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Dialogue is like music: on the page it may look great, but what it’s like when you hear it aloud? This workshop will examine what dialogue does, how to write
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we'll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform
"The creation of something new is not accomplished by the intellect but by play." —Carl Jung For a creative twist, some prose writers impose unique conditions on their work
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories and familiarity with the elements of literary short fiction including scene, character, conflict, place, and revision. We will study individual stories by authors, read craft
In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six weeks, students will have created a dossier of up to 20 pages of new work and received detailed feedback from the instructor. Access Program We
“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a production that hundreds of professionals will collaborate on.” - Ken Miyamoto, Screencraft “The challenge of screenwriting is to say much in little and then take
Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will read novel excerpts, short stories and novellas. We will also look at craft essays on the form. The goal over the twelve weeks is to
Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading, conversation,and various prompts and exercises to catalyze memory and thinking. We will consider how writers crafting stories
In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on this rich subject inspired this time by Ross Gay’s most recent book, Inciting Joy. This is a generative writing class where most of our time
Memoir is a unique and exciting format in which the writer has the creative freedom to tell some portion of their life’s story in a captivating way. We don’t necessarily need to read your story from birth up to the present day but like any good novel, a good memoir should have a story arc,
This unique course is designed for creative aspiring writers with no prior experience, as well as those with screenwriting experience, wishing to break into television writing. Learn in an interactive environment the basics of creating, writing, and presenting your first television script for both drama and/or comedy, including how to take your idea to the
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed in a small space. Here, all the usual craft questions are present (what gets included, and what gets left out? Where to begin? How to
In this six-week class, students will work on creating a narrative structure that will allow them to embark on the journey of the creation of their memoir. Through short and long readings, the class will study and develop characterization, setting, and narrative voice besides learning to mine memory and research for detail. A 10–15-page project
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories.
In this class, we will drop all worry about being “writers”. Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by writers who have turned their attention to the smallest noticings of life -- observations of what is. Through writing together to prompts during our sessions,
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the floor for hours and hours? Our best writing days are often imbued with that same sense of timelessness, freedom, wonder, and escape—in other words, our
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
How do I decide what to write about? What if my memory is flawed? How much research do I need to do? What details are the most important? What’s the best way to give and receive feedback to writers in a workshop setting? This class invites you to explore the fundamentals of creative nonfiction, including
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry, a bit of fiction; it celebrates mixing genres. In this workshop, we will write a series of fragments in response to prompts, and then braid
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
Some stories call for a breaking of boundaries, others for a union of text and image or visual form. In this generative course, we’ll experiment with different ways of looking and create image/text hybrids, concrete poems, and docupoetic essays. We’ll read works by Don Mee Choi, Dao Strom, CA Conrad, Renee Gladman, and others, and
In this supportive workshop, you will learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing that poem, but you feel scattered, overwhelmed, or stuck with many beginnings but no finished product, this workshop will offer you gentle and effective ways
In this class we will delve into the complexities of knowing ourselves when our histories and lineages are fragmented. We will explore how we can create a sense of unity and connectedness in a self that contains not only multitudes, but buried and forgotten histories. Through writing exercises, visioning, and ritual, we will work to
If you allow them to, ideas for art and writing can come from absolutely anywhere. This creative generation class will put that theory to the test, through a series of
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
This course will take a close look how to effectively use the child narrator when writing personal narrative or fiction. Using textual examples, we’ll look at what kinds of situations or scenes are best told from the child’s point of view, and examine how to keep the child’s voice authentic. We’ll experiment with how to
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four
This class, in the words of Nikki Finney, is about having and keeping a beautiful mind -- which is essential to building an art practice that can change or deepen
In this generative workshop, we’ll look at examples by writers who use fragments in various ways, and try inventive writing exercises and strategies for creating a memoir from fragments. Fragments
Writing can be emotionally exhausting. It can have a substantial physiological effect on the body: as you imagine an emotional scene, your body will sometimes go through the experience as
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
As many of us now know, traumatic memory doesn’t always function linearly. There is no clear beginning or end, as trauma literally relives itself in the brain. Because of this,
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week to discuss problems we're having with manuscripts, and design a schedule for each student to ensure everyone addresses the issues specific to their draft. This
In his 1974 book, Working, Studs Terkel begins by saying, “This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body.” That “violence” is, to some, an idea intrinsically tied to the idea of American exceptionalism. For others, however, it represents nothing less than profound and
Explore what it means to be alive in our current world through the weird and expansive genre of speculative fiction that gives us a way to look at social and/or
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with
Throughout history, writers have used lyrical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
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