• May 1, 2024
          One Page Wednesday: May
          May 2, 2024
          Write the Self: the study and practice of writing from personal experience
          May 9, 2024
          Grief Work: Honoring Sorrow as a Generating Motor
          May 13, 2024
          WEIRDING THE EVERY DAY
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Events, Classes, and Seminars

Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.

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Saturday

Nov 19

Saturday

Dec 3

Saturday

Dec 10

In-person   Writing Classes  

Submission Party

Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we'll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform

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Sunday

Dec 11

Wednesday

Jan 11

online class   Writing Classes  

Six Month Short Story Intensive

This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories and familiarity with the elements of literary short fiction including scene, character, conflict, place, and revision. We will study individual stories by authors, read craft

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Saturday

Jan 14

online class   Writing Classes  

Mastering the Short Story

In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six weeks, students will have created a dossier of up to 20 pages of new work and received detailed feedback from the instructor. Access Program We

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Friday

Jan 20

online class   Writing Classes  

Six Month Screenwriting Intensive

“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a production that hundreds of professionals will collaborate on.” - Ken Miyamoto, Screencraft “The challenge of screenwriting is to say much in little and then take

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Thursday

Jan 26

Friday

Jan 27

online class   Writing Classes  

Grief, Lyrically

Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading, conversation,and various prompts and exercises to catalyze memory and thinking. We will consider how writers crafting stories

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Tuesday

Feb 7

online class   Writing Classes  

Continuing Delight: Approaching Joy

In 2020, Perrin offered a class with Literary Arts on writing about joy inspired by Ross Gay’s The Book of Delights. She's back in 2023 with a “take two” on this rich subject inspired this time by Ross Gay’s most recent book, Inciting Joy. This is a generative writing class where most of our time

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Wednesday

Feb 8

Thursday

Feb 23

online class   Writing Classes  

Writing For Television: Where to Begin

This unique course is designed for creative aspiring writers with no prior experience, as well as those with screenwriting experience, wishing to break into television writing. Learn in an interactive environment the basics of creating, writing, and presenting your first television script for both drama and/or comedy, including how to take your idea to the

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Saturday

Feb 25

Monday

Mar 6

In-person   Writing Classes  

Craft Under the Microscope: The Micro-Essay

Micro-essays, much like poetry, rely on compression, constraint, and exacting language. In this generative course, participants will test the capacity of this miniature form, proving how much can be conveyed in a small space. Here, all the usual craft questions are present (what gets included, and what gets left out? Where to begin? How to

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Saturday

Mar 18

Wednesday

Apr 5

Wednesday

Apr 5

Tuesday

Apr 11

Saturday

May 6

Tuesday

May 9

Wednesday

May 10

Tuesday

May 16

Saturday

Jun 10

In-person   Summer 2023   Writing Classes  

Autofiction Weekend Intensive

During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,

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Tuesday

Jul 18

Wednesday

Jul 19

Saturday

Jul 22

Wednesday

Jul 26

Monday

Jul 31

Free Events   online class   Writing Classes  

The Break with Kaveh Akbar

Event Series The Break with Kaveh Akbar

In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not

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Tuesday

Aug 22

Saturday

Aug 26

Wednesday

Sep 6

Wednesday

Sep 6

Saturday

Sep 9

Tuesday

Sep 12

Wednesday

Sep 13

Thursday

Sep 14

Tuesday

Sep 19

Saturday

Sep 23

Fall 2023   In-person   Writing Classes  

Autofiction Weekend Intensive

During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like memoir or like fiction, but it generally comes down to style: autofiction is often highly introspective and mainly focuses on interior life. For this course,

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Saturday

Sep 23

Tuesday

Oct 3

Fall 2023   In-person   Writing Classes  

Pushing Through: Carrying Your Manuscript Over the Finish Line

This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week to discuss problems we're having with manuscripts, and design a schedule for each student to ensure everyone addresses the issues specific to their draft. This

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Sunday

Oct 8

Saturday

Oct 14

Saturday

Oct 21

Friday

Oct 27

Saturday

Oct 28

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