Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
It’s all about the relationship! In this workshop you’ll learn when and how to search for an agent, what you need for a powerful query letter, and the nuts and bolts of when to sign, when not to sign, and how to escape from a toxic agent relationship. Access Program We want our writing classes
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
Can we “chase” our imagination to its source? Where does creativity happen in the mind? These are some of the questions Lynda Barry explores in her book Syllabus, which describes the author’s lifelong investigation of the creative process. Participants will discuss Barry's techniques, and visit their own creative process, and perhaps draft a new story,
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
“When I sit down and start writing, I feel the given world recede, and I can just play.” —Sam Lipsyte Remember when you were a little kid, playing on the
When was the last story you read that really changed you? Maybe you thought about it for days, weeks, you’ve re-read it over the years. And maybe you said to
Do you think in lengthy narrative strands, elegantly formed with a beginning, middle and an end? I don’t. I flit from image, to feeling, to recrimination, to joy. Light flickers over my memories, both happy and hard. I call these messy memories ‘stamps,’ events or moments that have imprinted upon me in unshakeable ways. In
This class begins in September, with the goal of finishing a complete draft of a memoir by June. Participants do not need to be published writers; however, they should have some experience with elements of memoir, including character, setting, dialogue and scene, and have a clear project in mind that they will devote nine months
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
This 8-week class is focused on holding yourself and your classmates accountable to your writing goals. Each week, plan to share your work-in-progress with the group, set or revise goals for your weekly writing practice, and share successes and challenges with fellow writers. You’ll also learn strategies for keeping focused and staying on track. Occasional
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed,
Delve for Writers is a new, occasional Delve series that offers seminars that focus on close readings of narrative, form, and stylistic choices that writers can incorporate into their own writing practice. Creative nonfiction is the perfect place to find voice, ideas and perspective – and nobody does it better Joan Didion and contemporary groundbreaker
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain essential truths of the larger world. The challenge we face as poets is how to transform our lived experiences–creatively and imaginatively–into art that can be
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and sharing new work in an informal setting. Open to BIPOC writers at all levels writing in poetry, fiction, or nonfiction. Access Program We want our
The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories.
If a story leads exactly where you would expect it to go, then both the writer and the reader have discovered nothing. How do we expand our well-behaved, satisfying stories to fully burst into the mystery and unpredictability of human experience? This discussion class will give participants the tools to examine great stories for the
We're all familiar with satisfying story shape, the arc of a story that follows the pattern of jokes and sex—the inciting incident, rising action, crisis and the falling action. Yet sometimes this pattern can leave a story flat, without room for wonder. If a story leads exactly where you would expect it to go, then
This course is for all levels of writers and readers; the only requirement is a desire to take a deep dive into the unique art of autofiction (autobiographical fiction). We will read and discuss excerpts from contemporary authors who write within the genre, such as Lucia Berlin, Tao Lin, Edouard Louis, Chris Kraus, Garth Greenwell,
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
In this online three-part workshop, participants will explore various methods of using the Tarot and other simple forms of divination as prompts for poems. We will allow ourselves to be guided intuitively in our creations, suppressing the urge to control the process intellectually. Session One will be purely generative, focusing on starting and progressing new
There is a great temptation to airbrush ourselves on the page, to fill in the pockmarks of our flaws—and yet this leaves us not only less trustworthy, but less interesting. Students will explore how the contradictions in their personalities—the gaps between dirty laundry and grace—are the most interesting spaces for both readers and writers. Together,
This generative workshop will focus on the skills involved in creating and sustaining vibrant and complex characters. Through a series of in-workshop prompts and exercises participants will create and bring to life vivid characters. We will focus on physical description, internal life, setting, scene, action, and dialogue to round out and bring our creations to
How do the big questions of our time--from climate change to racism--inhabit the stories of our lives? And what does it look like on the page to tell exquisitely personal stories in ways that gesture toward larger concerns? In this 2-hour workshop, writers will uncover some of the big questions buried in their own narratives,
John D’Agata describes memoir as “an agitation of memory,” which suggests memory-based writing as not just the expression of memory but volatile, vital consideration of memory. In this workshop, participants
In this workshop, we’ll learn how to talk to and about artwork through poetry. Also known as Ekphrastic writing! We’ll look at examples of other artists and writers who have
The famous abstract painter Joan Mitchell once said, “My paintings repeat a feeling about Lake Michigan, or water, or fields. … it’s more like a poem, and that’s what I
“She had spoken it; but she trembled when it was done, conscious that her words were listened to, and daring not even to try to observe their effect.”-Jane Austen, from
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, makingit a very unique form. I will provide craft essays and
Explore the role of food in storytelling, and how it can shape, define, and give insight into our characters’ deeper desires. Particpants will examine the language of food, and talk about how hunger translates across unsaid emotions. Drawing upon sensory texts about snacking, groceries, and meals both extravagant and humble, we’ll learn new ways to
“Plot-driven” has become a code word for commercial (aka “lesser”) fiction. But plot has always been what defines a good story. In this workshop, we will examine the centrality of plot in narrative, from Aristotle down to contemporary literary fiction. We will also explore the essential characteristics of a great plot and the rewards of
This class will take you from idea to rough draft in four hours. Picture books are so much more than stories with short text for young readers. We’ll study the picture book form, then construct stories in picturebook form, playing with powerful tools such as repetition, suspenseful page turns, and the rule of threes. You
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who want to reimagine their creative life. We’ll discuss methods for working through blocks and rejection, rituals that refill the well, and ways to make time
Poesis,” in ancient Greek, means “making.” What would it mean to make poetry a daily part of your life? How might this re-make your understanding of poetry, your life, and your self? This class will offer you the opportunity to explore these questions and consider poetry as a time-based art, a place-based art, and a
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
Dialogue is like music: on the page it may look great, but what it’s like when you hear it aloud? This workshop will examine what dialogue does, how to write it – and when to use it. We’ll practice shaping and creating dialogues we can share. Access Program We want our writing classes and Delves
Bring a story, essay, nonfiction, hybrid piece - anything you feels is ready to submit. We'll review how submission works, how to research the literary magazines that might be a
"The creation of something new is not accomplished by the intellect but by play." —Carl Jung For a creative twist, some prose writers impose unique conditions on their work as they craft a piece. Dr. Seuss wrote Green Eggs and Ham on a bet: that he couldn’t write an entire book using only 50
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories and familiarity with the elements of literary short fiction including scene, character, conflict, place, and revision. We will study individual stories by authors, read craft
In this intensive workshop, students will write and revise their short stories focusing on craft elements such as characters, voice, subtext, and story structure. At the end of the six weeks, students will have created a dossier of up to 20 pages of new work and received detailed feedback from the instructor. Access Program We
“Screenplays…are primarily a narrative blueprint for cinematic interpretation. They require certain beats, certain layouts, and certain terminology to communicate the visual and audio needs of an eventual production — a production that hundreds of professionals will collaborate on.” - Ken Miyamoto, Screencraft “The challenge of screenwriting is to say much in little and then take
Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will read novel excerpts, short stories and novellas. We will also look at craft essays on the form. The goal over the twelve weeks is to
Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading, conversation,and various prompts and exercises to catalyze memory and thinking. We will consider how writers crafting stories
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
Literary Arts, Inc. is a tax-exempt organization under section 501(c)(3) of the Internal Revenue Code.
Copyright © 2023 Literary Arts
Made by Needmore Designs
Literary Arts appreciates the continuing support of…
