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Meet the 2024 Portland Book Festival Guest Artists

For the past five years, Literary Arts has worked with Oregon-based guest artists to create annual artwork for Portland Book Festival (PBF). To celebrate our tenth anniversary presenting Portland Book Festival, we invited our inaugural five guest artists to return and create artwork featuring the number 10. Below, please learn a little more about each artist and see their 10 illustration!

Jonathan Hill

Jonathan Hill is an award-winning cartoonist, illustrator, and educator. His work has appeared in The Believer Magazine, Fantagraphics, Powell’s City of Books, and the Society of Illustrators. His graphic novel, Odessa, was a finalist for the 2021 PNBA Book Awards and won the 2021 Believer Book Award for Graphic Literature. His latest book, Tales of a Seventh Grade Lizard Boy, was included on the ALA’s Best Graphic Novels for Children Reading List for 2022 and has been named an Oregon Spirit Award Honor Book. Jonathan also serves on the board of directors for Literary Arts. 

One of Jonathan’s original illustrations:

Jonathan’s new 10 illustration:

Q&A with Jonathan:

The world has completely changed since I did that Book Festival art in 2019! My life has completely changed too, with lots of ups and downs. Since then, I’ve had two graphic novels come out, Odessa and Tales of a Seventh-Grade Lizard Boy, both of which were the first books of mine that I’ve both written and drawn. So that was awesome! But they both came out in the thick of the COVID crisis happening, and because of medical reasons, I’ve had to take more precautions than most and missed out on traveling to promote them. So that’s been a bummer! Both books were received well – Odessa was a PNBA Book Awards finalist Lizard Boy made it on the Oregon Battle of Books reading list! Readers keep finding them and enjoying them and really, that’s the most important thing. 

I am very excited that I just finished up the sequel to Lizard Boy, and Lizard Boy 2: Most Perfect Summer Ever is coming out next Spring! I have never gotten to do a sequel and it was so fun to get to expand on the characters and world of the first book. In a lot of ways, Lizard Boy walked so Lizard Boy 2 could run!!! 

I love the telling of a story! So I mostly do comics, which involves both writing and drawing. I’m going to be honest—the initial process of writing is very hard and frustrating for me. It’s like pulling teeth. My favorite part is thumbnailing. It’s where I take the writing and those ideas get crafted into comics. It’s when it becomes real. It’s when it becomes a story that people can read. I love it!!! The next step of the process, making the art final, is really boring to me. It’s just busy work to make it look pretty. You can already read it! I’ve already done the best part. Ha ha.  

Even when I do illustration work, I am horrible at doing conceptual, editorial-style illustration. I need it to tell a story. I need to have a narrative where I can approach it like a story.

I just got an ARC of my friend Aron Nels Steinke’s upcoming book, Speechless, and I am so excited! I love his series, Mr, Wolf’s Class, but I can’t wait to read a new book from him outside of that universe! Keep an eye out for it next March! I also have the last two Mick Herron Slow Horses books on audio to listen to while I draw. 

Don’t wait until you’re ‘good enough’ to make that thing you’ve been wanting to make! Life is too short! Just make it and get into the world. Sure, it’ll be a little janky and maybe not what you wanted it to be, but the process of actually making it will surprise you and you will learn a lot about yourself while doing it. You’ll get better and then can make the next thing! 


Lisa Congdon

Lisa Congdon is an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including The Library of Congress, Target, Wired Magazine, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary’s College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta, and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist and Find your Artistic Voice: The Essential Guide to Working Your Creative Magic. In March of 2021, Lisa was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives” published by AdWeek. When she’s not making art, you can find her racing her bike around Oregon. She lives and works in Portland.

Some of Lisa’s original illustrations:

Lisa’s new 10 illustration:


Daren Todd

Daren Todd is a Portland-based artist, muralist and arts educator, and is the founder of Art Larger Than Me, a thriving creative firm focused on community engagement, teaching, and the creation of captivating public art works, installations, and private commissions. Daren’s art style blends abstract expressionism and graphic representation, resulting in cohesive and vibrant pieces, often on a larger scale. His public work captures the essence of the communities and identities he resides in, consistently drawing from an inner monologue of experience and emotion.

Daren’s original illustration:

Daren’s new 10 illustration:

Q&A with Daren:

So much has changed since then! It seems like every year brings with it so many seasons of change, and as I grow up I come to expect the good and the bad and roll with it one day at a time. Career wise, things have continued to expand so much since I began working as a full time creative in 2020. I’m still painting murals and making artwork and doing illustration and design work. Now I get to spend a few hours every week teaching art to 6th–12th grade students at Pacific Crest Community School, too, which is so fulfilling and inspiring in so many ways. I moved to a new house which means moving to a new studio space—it’s been awesome to use everything I’ve learned from the last studio and put it into making this one more efficient and functional, and change like that only comes from experience. 

Right now I’m experiencing a long form shift in my work. I’m planning on spending a good part of the fall and winter focused on personal projects and developing my creative voice apart from client work. I’m looking forward to long blocks of time in the studio just to paint and explore—and I’ve been keeping up a wood sculpting practice that I’m very eager to cultivate.

I have a practice of tracking my emotions and using art as an outlet to convey how I am feeling, explore what I’m thinking about, and record the things life is teaching me. Often though, the process isn’t that linear and I am in the thick of it—confused, frustrated, covered in paint and feeling lost. I’m constantly being taught to make peace with where I am at, in my life but also in my work—and its that push and pull between action and resistance, inspiration and frustration, apathy and excitement—the swing back and forth—that I’m constantly drawn into.

The last book I consumed was Chimamanda Ngozi Adichie’s Notes on Grief, which recounts Adichie’s experience loosing her father during the first waves of isolation in the COVID-19 pandemic. 

No one chooses to read about grief without having experienced it in their life in some shape or form and coming up against the onslaught of emotions that follow loss. The same goes for me. Truly, in answering these questions, I will admit that the biggest shift and change in my life has been the loss of my only sibling in April of 2023. Although I wanted to avoid acknowledging it while writing these responses grief always has a remarkable way of becoming present, more than any other emotion I’ve felt. It has tinged my work, my outlook on life, and my daily experiences both as an artist and as a human. In many ways I have found a deep gratitude for the beautiful gift of being alive, and in other ways life is a heavy burden, full of pain. The experience of living while swinging between these two disparate mental spaces is heavy—it’s also a portal to a level of understanding and empathy for other people that I had never considered. I feel curiosity about how this new experience will change and shift my work. 

Stay open! So much of the experience of being a creative in this town revolves around what seeds you’re willing to try and plant, how you’re looking for things to grow, and who you spend time in the garden with. If things feel stagnant—get in there and shake them up.


Jarlisa Shunte

Jarlisa is a south Mississippi-born multidisciplinary artist and writer. Their creative work is an expression of their multifaceted identities with an emphasis on gender expression, body diversity, neurodivergence, and Queerness. Thematic elements drawing from nature, science-fiction, and fantasy are highlighted in their work, which also encompasses the myriad of beautiful ways other Black women, fems, and NB`s express their own individual identities. 

Jarlisa’s original illustration:

Jarlisa’s new 10 illustration:

Q&A with Jarlisa:

Since being a Portland Book Fest guest artist, I’ve been making more of an effort toward being more present and active in the Portland art community. I’ve also been doing a lot more to challenge my creativity (i.e. taking writing workshops, learning about photography, etc). Although my primary focus is still illustration, I’ve expanded what I can do with that. I’m in the beginning stages of creating an online comic strip, a personal project I’m excited about.

I’m not sure I can call how I create art a “process”. I sort of just get an idea and hyper-focus on it until I either complete it or get too annoyed to continue. I get inspired by books, well-done shows and movies, my immensely talented friends, and life in general.

I’m currently in between books right now, but I’m impatiently waiting for my copy of Children of Anguish and Anarchy by Tomi Adeyemi to arrive in the mail.

Make cool stuff with your friends. I actually took this from an artist panel hosted by Show Out, but solid advice is solid advice.


Arielle Wilkins

Arielle Wilkins is a US Portland-based artist/designer who was raised in the heart of Texas. Inspired by her father’s performing arts background, she quickly immersed herself in music and naturally visual arts. 

Color, creativity, and black pride intertwine in the magical mystery ride that is within Arielle’s art. She effortlessly notes the evolution of the portrait painting tradition and makes anyone who views her pieces smile. Her characters exist in a world more bold and colorful than our own. Where natural hair roams free and strong yet relaxed/confident/ personas come to the forefront. Arielle’s work is meant to prompt a wide spectrum of untapped exposure and celebration of black culture. The evolution of the modern woman and man, curls and bountiful afros on deck. 

Originally Arielle’s brand started out as Brothas N Sistas and grew her brand under that name for many years, but she recently decided to rebrand herself to a more colorful name that suits both her and the work that she creates. 

Arielle’s original illustration:

Arielle’s new 10 illustration:

Q&A with Arielle:

Since my time as the Portland Book Festival guest artist, I have been getting a lot of exciting creative opportunities which has been a blessing for me. I also completed my first-ever artist residency early this year, where I spent two weeks painting in a lovely natural setting.  

I am excited about my most recent project that was just completed.  The City of Portland, Laika Studios, and a bunch of sponsors in celebration of the 15-year anniversary of the release of the movie Coraline, created this art scavenger hunt event called Coraline Curious Cat Trail. This event brought in artists to reimagine over 30 6-foot tall sculptures of one of Coraline’s beloved characters, Vermin which then was placed throughout Downtown Portland. I had the opportunity to be an artist for one of the cats. A lot of TLC was put into this, and I am thrilled to see it out in the wild.  

It generally takes time for me to dive into an art project. My process involves a lot of research, music, and sketching, and once I get into the grind it’s pretty smooth from there. My surrounding inspires me, especially if it is out in nature. The peace helps with the creative process. 

Currently, I am reading How to Become the Dark Lord and Die Trying by Django Wexler. 

Portland is a unique and supportive environment that is fantastic for creative inspiration. Embrace the surroundings and let your creativity blossom. 


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