Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
Writing can be emotionally exhausting. It can have a substantial physiological effect on the body: as you imagine an emotional scene, your body will sometimes go through the experience as
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels
As many of us now know, traumatic memory doesn’t always function linearly. There is no clear beginning or end, as trauma literally relives itself in the brain. Because of this,
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
Throughout history, writers have used lyrical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
The novella has its own parameters, intricacies, and rewards. Together we’ll look at the novella’s histories, jewels, origins, and how its varying structures still feed into the overall design. Students can use this experience to either enhance their own novellas, or learn more about this fascinating literary form.
How and why do we write about non-human animals, and how might we write about them in new ways? Through discussion, short readings, and writing exercises, we will explore varying approaches to writing about other species in our time of mass extinction and global warming. No experience necessary.
When it comes to writing short fiction and novels, the ideas we’ve absorbed about narrativizing from our outside lives often don’t apply. Even the most thrilling story, if written without a reverence to form, loses its audience quickly. In this seminar on literary style, we’ll study the most minute of authorial choices, coming to understand how subjectivity comes through on the subconscious level of the sentence.
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry,
Together, we will delve into the intimate sensory memories that food evokes. How can writing about food open up evocative spaces of comfort, family, memory, shared rituals, and desires? How can writing through and about food radically strengthen our communities and open up our creative craft?
Let's spend a few hours together exploring the practice of revision! Too often revision is just a fancy word for copy-editing. But it can be more. In this three hour class we will explore different revision exercises using a recent poem and how we can break old revision habits and constructs.
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
While we may know of essays as personal narratives crafted with creative storytelling techniques, essay as a verb means an attempt. In this six-week series, we’ll explore a variety of
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
What if we joined our sorrows? What if that is joy? - Ross Gay Following in the tradition of Ross Gay, and his new book, The Book of (More) Delights,
Writing novels can seem like a mystical process. Write every day, and a novel will appear. The work can feel isolating and disorienting, particularly for a writer’s first book, like
"I’m half crazy with the wonder of it- the abundance of leaves, the quietness of the branches, the hopelessness of my effort. And I’m, in that delicious and important place,
This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
In this class, we will drop all worry about being “writers.” Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by
What is a ghost if not spirit energy yearning for form and expression? In our time together, we’ll explore a range of structures capable of hosting ghosts, from epistolary to
This six-week class will hold space for creative nonfiction writers to write and discuss short creative nonfiction works (memoir, essay, lyric essay). Writers at every level---from beginner to experienced---are welcome
In this six week class, students will explore the lyric essay form and learn to appreciate what makes it one of the most imaginative and creative writing genres around. Class
How do you describe the Oregon coast, a garden full of dahlias, or the vibe of your favorite coffee shop? How do you write about a crowd of people? A
We've added a second section! Have you ever wondered how to turn your brilliant idea into a captivating picture book? In this 8-week course, you’ll learn the art of crafting
Have you ever wondered how to turn your brilliant idea into a captivating picture book? In this 8-week course, you’ll learn the art of crafting picture books that leave a
This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal
Some real-life experiences are too bizarre, too painful, too otherworldly, to write about in a straight forward manner. What happens when you can’t or refuse to work from point A to point B. When point A isn’t where you left it and point B has rambled off, looped back around, and jumped on the back
Summer is the season for sizzling flings with short forms. This generative class will offer prompts linked to weekly themes—road trips, mix tapes, romances, adventures in nature—mashed up with a range of forms, from flash essays, hermit crabs, and acrostics to “found” pieces, such as centos and erasures. Writers will leave with a portfolio of
The writing workshop is a space where writers exchange drafts of creative work, discuss writing styles and trends and get critical feedback in an open, supportive atmosphere. In creative nonfiction and memoir writing, the workshop can be particularly supportive and helpful as writers not only get practical help crafting their work from unbiased perspectives, they
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
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