Events, Classes, and Seminars

Let's read great short stories and then learn through imitation. We will look closely at stories and what they do well and make our own attempts. Each week, you will begin a new story based on our readings.

This is a class to take if you’re new to writing picture books, if you’re curious about writing them, but don’t know quite where to start, or even if you’ve been writing for a while, but feel like you still have some unanswered questions.

Over the four weeks of this course, we’ll work to demystify the submission process. We’ll discuss how to find publications you’re excited to send your work to, set up personalized submission goals and to-do lists, and organize our own systems for keeping track of our submissions.

Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.

While this course will predominantly take the form of a fiction workshop, it will also feature discussions of published works to interrogate the “absolutes” that govern the art of fiction, as well as to equip students to appreciate how they might bend if not break these rules in service of the stories that they hope to tell.

In this generative and craft-focused class, we’ll explore how close reading can unlock our own voice. We’ll study excerpts from your favorite authors, examine sentence structure, tone, rhythm, and emotional pacing, and organize our findings into a living document you can return to again and again.

In this two-part workshop, we’ll explore elegies, or poems of lament, through the lens of spirals. We can use these curved paths to structure poems, such as through recurring phrases or imagery, and to relax the brain while creating literary responses in conversation with death, loss, and transformation.

uring this eight-week course we’ll read and discuss genres and craft elements like fabulism, magical realism, absurdity, unreliable narrators, trick mirror logic, and more. Through generative prompts and constructive feedback, we’ll begin to craft our own acutely surreal realities. Expect to leave with several fresh starts to weird and wonderful works.

This eight-week memoir workshop teaches writers how to transform personal experiences into compelling scenes that captivate readers. Students will learn to craft authentic moments from memory, weave reflection seamlessly into narrative, and build scenes that invite readers into their lived experiences while revealing deeper emotional truths.

A generative writing workshop to create material from a variety of prompts, models, and methods. We will build community with each other, learn some revision hacks, share feedback, and come away from the weekend intensive with plenty more to think about and develop in our writing practice.

Visual poetry is as expansive as it is playful which can complement any writer’s practice. Over the course of this six-week workshop, writers can expect to generate four new poetry experiments, one complete visual poetry project, and leave the workshop with a working knowledge of this exciting genre.

In this focused workshop, you’ll learn the key components of a compelling book proposal—from crafting a powerful overview and defining your audience to identifying comps and writing a sample chapter that shines. Ideal for nonfiction writers with a solid book concept who are pursuing traditional publishing and want to create a professional, pitch-ready proposal.

In this six-week class, using 2024’s Best American Short Stories as our guide, we’ll explore a selection of contemporary fiction—deemed this year’s best—with an eye to steal from them. This year’s guest editor, Lauren Groff, writes that these stories “buzz with their own strange logic.” We’ll examine the inner workings of these stories to decipher some of that strange logic, but more pointedly, we’ll focus each week on one technique, discuss how the author is achieving a desired effect, and practice employing it in our own writing.