Events, Classes, and Seminars

The Left Hand of Darkness, The Word for World is Forest, & The Dispossessed are three of the most iconic novels by the legendary author Ursula K. Le Guin. Written within less than five years of each other, these novels all occur in the same science fiction universe that is most often referred to as

Proust’s magnum opus is often considered to be the greatest novel of the 20th century. It richly repays the careful attention it demands, and becomes unforgettable. First-time readers, however, may find the style and size of the work daunting. This seminar is intended for participants who have always wanted to read Proust, but who would

Nathaniel Hawthorne marveled at Anthony Trollope’s talent for conveying the truth of human experience, declaring his fictional world to be “just as real as if some giant had hewn a great lump out of the earth, and put it under a glass case, with all its inhabitants going about their daily business, and not suspecting

Published in 1990, Omeros is the masterwork of the Nobel Prize winning Saint Lucien writer  Derek Walcott, a book-length epic poem that invites comparisons with Homer while also probing the history and culture of his island home, the "Helen of the West Indies," and his own life as a well travelled writer.  Divided into seven

Catherine Sloper is young—not clever, not quick, not ugly—and rich. Into her life in New York City’s fashionable Washington Square comes Morris Townsend—“the most beautiful young man in the world.” Her aunt Lavinia is impressed but Dr. Sloper, Catherine’s father, is not. Is Morris in love with Catherine, or merely after her money? In only

Proust’s magnum opus is often considered to be the greatest novel of the 20th century. It richly repays the careful attention it demands, and becomes unforgettable. First-time readers, however, may find the style and size of the work daunting. This seminar is intended for participants who have always wanted to read Proust, but who would

The Faust Legend takes up the question of selling your soul to the devil for magical success in this world. This Delve seminar looks at the legend in three famous instantiations: in the German chapbook, in Christopher Marlowe’s tragedy, and in Goethe’s iconic drama. We can trace these authors’ evolving view of evil, sin, the

Elizabeth Bowen (1899–1973) was maybe the greatest short story writer in English that you might not have read. In this Delve, we will read the two dozen stories she wrote describing life in London and throughout Britain during World War II. She describes a world coming apart at its most intimate level—the homes, the lives

In this Delve, we will read Portuguese Nobel-laureate José Saramago’s breathtaking novel, Blindness (1995), focusing in particular on the concept of “community.” The novel posits the trope of community as an ethical imperative when the human condition has become utterly wretched. In a nameless city, contaminated by a sudden white blindness, the only inhabitant who

The Wild West has always been a fiction. The heroic cowboy settling the frontier is a myth. The Western novels of the mid-20th century rewrote genocide & colonialism to justify the existence of the United States. As a needed response, The Anti-Western works to undermine this false history by complexifying & subverting the tropes of

Emily Wilson's new translation of the Iliad, building on the accomplishment of her recent translation of the Odyssey, has kindled fresh interest in Homer's perennially relevant war epic. In this six-week seminar, we will read our way through Homer's text while exploring the rewards of this remarkable translation, a work of both scholarly acuity and

Flaubert’s Madame Bovary is the quintessential modern novel. This is the paradigmatic “show don’t tell” writer who, by sheer force of talent, sweat, style, and restraint was able to turn a small, inconsequential notice in a provincial newspaper into one of the greatest stories of the Western tradition. Morally complex, ironic, insightful, and brilliant—if this

Willa Cather (1873–1947) is one of the most beloved writers in the American canon and is one of those writers whose works are embraced both by a mass audience and by scholars within the academy. Over the course of the past 40 years Cather’s work has been claimed and fought over by such a variety

“The simplest answer is that a writer who gardens is sooner or later going to write a book about the subject–I take that as inevitable,” writes Eleanor Perenyi in her forward to Green Thoughts, her collection of essays on gardening. In this course, we’ll explore literature of the garden, using Olivia Laing’s book The Garden

César Aira is one of the most prolific authors of our time, having published over 100 books since 1975, his bizarre & starkly idiosyncratic work pushes through genres that sometimes collapse mid-text only to be rebuilt around another plot to end his powerful little books. Winner of numerous literary awards & finalist for the 2015

No exploration of Tolstoy is complete without a reading of his best short stories. In four sessions we will look at a few of the small masterpieces from his later years, including “The Death of Ivan Ilych,” “Master and Man,” “Father Sergius,” and “Hadji Murat.” Here we see Tolstoy at the pinnacle of his story-telling

Always Coming Home by Ursula K. Le Guin is considered by some to be her magnum opus, yet somehow it remains one of her most overlooked texts. Sometimes reading more like ethnographic study than a novel, Always Coming Home depicts a post-apocalyptic Northern California, except instead of showing the violence & chaos of the apocalypse,

Strange and surreal, mysterious and dream-like, when “the supernatural” is conjured in story we find ourselves lifted out of the ordinary, material world and into more spectacular realms. In this seminar we’ll read novels that embrace this otherworldliness, stretching the familiar first into the unknown, then to the far reaches of personal and collective transformation.

Mark Twain's Adventures of Huckleberry Finn remains one of the most widely read and studied texts in the American literary canon, as well as the subject of recent reappraisals in light of its problematic language, as well as its treatment of its Black characters and of race in general. Percival Everett's recent novel, James, offers

The Country of the Pointed Firs by Sarah Orne Jewett is one of the most loveable and pleasure-giving novels in the American canon: the story of a writer who leaves her home in Boston for what she thinks will be a solitude-filled summer-long “working” vacation at Dunnet Landing, a (fictional) “Down East” Maine fishing village.

In recent years, authors have become inspired to conjure modern takes on ancient Greek myths in best-seller ready, cinematic novels as well as in more explorative, poetic forms. Many of these bring out the inherent juiciness of these perennial tales, while unveiling feminist, queer, and ecstatic undertones buried in the original texts.

This seminar offers an in-depth exploration of Thomas Mann’s The Magic Mountain (Der Zauberberg, 1924). The novel invites the reader to multiple trajectories of reading: As a modernist epic, The Magic Mountain intimates the tradition of the Bildungsroman, only with an ironic twist. It draws an unforgettable portrayal of a lost world, the cosmopolitan European society before the First World War.

In this seminar we will read Marx both for his ideas and and for the pleasures of his prose. We will observe his use of Greek myths and other legends, the inspiration he took from European fiction and poetry, his journalistic reports of life in his own day, his lively historical accounts, his vast range of allusions from literature, his critiques of the arts, and his refined expression of his sense of the tragedy and the hope in life.

Marilynne Robinson’s 2004 Pulitzer Prize-winning novel Gilead appears as one long and intimate letter from an aging father, the Reverend John Ames, to his young son. The letter is an accounting for Ames’s one life, lived essentially always in one Midwestern place, and the letter opens doors onto lives and times often more dramatic than

In this seminar, we will tackle Melville’s whale of a book, exploring its philosophical insights, its debts to other writers (especially Shakespeare and Hawthorne), its commentary on US politics and culture, and (of course) its cetology, the chapters about whales and whaling. Across six weeks, we will take up Melville’s challenge—“Read it if you can”—and join the Pequod’s crew on their quests for knowledge, for friendship, and for revenge.

Known for her “fearless and unbridled” writing about the natural world, Annie Dillard’s first three non-fiction books conjure lyrical insights so vivid that they seem to burn. So much more than a “nature writer,” Dillard’s observations of whatever she’s looking at—the transient effects of an eclipse viewing in a small town, a near-deadly airplane crash on an island in the Pacific Northwest, the unraveling of a tangled snake-skin she finds wandering through the woods—reveal the living textures of things: their ordinary strangeness and transcendent beauty.

Explore Turkish Nobel laureate Orhan Pamuk’s Nights of Plague (2022), an epic narrative which depicts the outbreak of the bubonic plague in the late Ottoman era. The stage is the fictional island Mingheria in the Levant, and the year is 1901.