Events, Classes, and Seminars

This four-week class offers an in-depth exploration of how to optimize writing habits and routines for productivity and mental health. This class will have two main components. The first component will be a review of the resources available to writers who wish to refine their creative practices. The second component will be in-class writing, reflection, and discussion exercises. These exercises will help us hone our creative practices to feel happy and productive throughout our most arduous creative undertakings. Subjects will include: managing goals and deadlines; when, how, and who to ask for feedback; writing alone vs. working together. After four weeks, students will have composed a clear, concise, personalized work plan, including goals, routines, resources, and assigned reading.

This class series focuses on developing a clear roadmap for memoirs, self-help books, or narrative nonfiction. Through hands-on exercises, participants will outline their projects, identify key themes, and learn techniques for organizing research and storytelling.

This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with your novel.

Join novelist Emily Chenoweth for an afternoon of writing and community. Participants will spend time writing to a variety of prompts, sharing their work with classmates, and learning tips and tricks for creating and maintaining their writing practice. Writers of fiction, memoir, and poetry are all welcome for this fun, focused afternoon. Access Program We

In this six-week, workshop-meets-craft class, we'll dissect three different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. This class for writers with some experience includes a workshop component.

This is a class to take if you’re new to writing picture books, if you’re curious about writing them, but don’t know quite where to start, or even if you’ve been writing for a while, but feel like you still have some unanswered questions.

Over the four weeks of this course, we’ll work to demystify the submission process. We’ll discuss how to find publications you’re excited to send your work to, set up personalized submission goals and to-do lists, and organize our own systems for keeping track of our submissions.

Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.

While this course will predominantly take the form of a fiction workshop, it will also feature discussions of published works to interrogate the “absolutes” that govern the art of fiction, as well as to equip students to appreciate how they might bend if not break these rules in service of the stories that they hope to tell.

In this generative and craft-focused class, we’ll explore how close reading can unlock our own voice. We’ll study excerpts from your favorite authors, examine sentence structure, tone, rhythm, and emotional pacing, and organize our findings into a living document you can return to again and again.

In this two-part workshop, we’ll explore elegies, or poems of lament, through the lens of spirals. We can use these curved paths to structure poems, such as through recurring phrases or imagery, and to relax the brain while creating literary responses in conversation with death, loss, and transformation.