Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our downtown Literary Arts space, online, and at partnering venues across Portland and Oregon.
Some stories call for a breaking of boundaries, others for a union of text and image or visual form. In this generative course, we’ll experiment with different ways of looking and create image/text hybrids, concrete poems, and docupoetic essays. We’ll read works by Don Mee Choi, Dao Strom, CA Conrad, Renee Gladman, and others, and
In this supportive workshop, you will learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing that poem, but you feel scattered, overwhelmed, or stuck with many beginnings but no finished product, this workshop will offer you gentle and effective ways
In this class we will delve into the complexities of knowing ourselves when our histories and lineages are fragmented. We will explore how we can create a sense of unity and connectedness in a self that contains not only multitudes, but buried and forgotten histories. Through writing exercises, visioning, and ritual, we will work to
If you allow them to, ideas for art and writing can come from absolutely anywhere. This creative generation class will put that theory to the test, through a series of experiments in creative problem-solving, spontaneous and chance-based play, and other exploratory prompts that challenge you to work outside your normal modes and investigate how the
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though many of the activities and discussions orbit or are inflected by recovery themes (Akbar has been in active recovery for eight years), participants are not
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing. Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d
This course will take a close look how to effectively use the child narrator when writing personal narrative or fiction. Using textual examples, we’ll look at what kinds of situations or scenes are best told from the child’s point of view, and examine how to keep the child’s voice authentic. We’ll experiment with how to
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four different memoirs in this class, along with several excerpts and essays. This course provides weekly accountability, short exercises, a regular review of your work, along
This class, in the words of Nikki Finney, is about having and keeping a beautiful mind -- which is essential to building an art practice that can change or deepen how we see the world and who we are inside of it. We’ll begin by cataloguing our obsessions, and open into various texts and writing
In this generative workshop, we’ll look at examples by writers who use fragments in various ways, and try inventive writing exercises and strategies for creating a memoir from fragments. Fragments can stand on their own as micro-memoirs or be woven together into a larger work. This class is for writers at all levels. Access Program
Writing can be emotionally exhausting. It can have a substantial physiological effect on the body: as you imagine an emotional scene, your body will sometimes go through the experience as if it were happening. And on top of that there's the anxiety, self-doubt, and judgment that many writers struggle with. In this 8 week course
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including
As many of us now know, traumatic memory doesn’t always function linearly. There is no clear beginning or end, as trauma literally relives itself in the brain. Because of this, it can make it difficult to craft a memoir that has trauma as one of its themes of focus. In this workshop we will work
During this weekend autofiction intensive, we will take a deep dive into the unique art of autofiction. Autofiction combines the disciplines of autobiography and fiction. It can be written like
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
In partnership with Alano Club of Portland, "The Break is a monthly virtual gathering of writers and artists lead by Kaveh Akbar, celebrating amongness, collaboration, and interdisciplinary creative experimentation. Though
This six-week course is designed to help students finish a draft of a fiction or non-fiction manuscript. We'll read craft essays about drafting a book, set aside time each week
In his 1974 book, Working, Studs Terkel begins by saying, “This book, being about work, is, by its very nature, about violence—to the spirit as well as to the body.”
Explore what it means to be alive in our current world through the weird and expansive genre of speculative fiction that gives us a way to look at social and/or environmental worries by following the thoughts of “if only-”, “what if”, and “if this goes on” in short story form. This 3-part series is for
This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed,
Throughout history, writers have used lyrical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of
Searching for a space to create new work with fellow BIPOC writers? This two-hour workshop meets on Zoom. A variety of prompts will be presented as avenues for generating and
The novella has its own parameters, intricacies, and rewards. Together we’ll look at the novella’s histories, jewels, origins, and how its varying structures still feed into the overall design. Students can use this experience to either enhance their own novellas, or learn more about this fascinating literary form.
How and why do we write about non-human animals, and how might we write about them in new ways? Through discussion, short readings, and writing exercises, we will explore varying approaches to writing about other species in our time of mass extinction and global warming. No experience necessary.
When it comes to writing short fiction and novels, the ideas we’ve absorbed about narrativizing from our outside lives often don’t apply. Even the most thrilling story, if written without a reverence to form, loses its audience quickly. In this seminar on literary style, we’ll study the most minute of authorial choices, coming to understand how subjectivity comes through on the subconscious level of the sentence.
The lyric essay is a form that allows many small fragments to be drawn together to create a whole. A lyric essay might hold memories, research, a bit of poetry,
Together, we will delve into the intimate sensory memories that food evokes. How can writing about food open up evocative spaces of comfort, family, memory, shared rituals, and desires? How can writing through and about food radically strengthen our communities and open up our creative craft?
Bring one or two of your most promising poems-in-process, and we will work through ways to make them more like what they want to be. This will not be a critique session, but a workshop in generative revision.
In this workshop, we’ll discover parallels between visual and written art, and use pieces in the museum collection to inspire poetry.
In this workshop, we'll learn how to build a fictional world and add texture to imaginary settings.
In this workshop, we’ll learn journalistic storytelling techniques and explore how they can be used to cover social justice stories.
This is a three-hour, one-day intensive discussion on the unique genre of autofiction. This course will provide insight into the many nuances of autofiction, or autobiographical fiction. This “genre” involves writing that is based on real life experiences, but also utilizes fictional literary devices, making it a very unique form.
Let's spend a few hours together exploring the practice of revision! Too often revision is just a fancy word for copy-editing. But it can be more. In this three hour class we will explore different revision exercises using a recent poem and how we can break old revision habits and constructs.
Equal parts strategy, community, generative writing, and experiment, this class will help writers spark curiosity and deepen self-knowledge while crafting artistic habits that nourish. A good fit for writers who
The hybrid genre of erasure and collage often exists between and because of two different mediums: text and image. Through obscuring a pre-existing text using various methods, an original work
While we may know of essays as personal narratives crafted with creative storytelling techniques, essay as a verb means an attempt. In this six-week series, we’ll explore a variety of
“Your experience is not yours alone, but in some sense a metaphor for everyone’s.” -Kim Addonizio and Dorianne Laux, The Poet’s Companion What we know in our personal worlds contain
This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories
What if we joined our sorrows? What if that is joy? - Ross Gay Following in the tradition of Ross Gay, and his new book, The Book of (More) Delights,
Writing novels can seem like a mystical process. Write every day, and a novel will appear. The work can feel isolating and disorienting, particularly for a writer’s first book, like
Sometimes we become so focused on productivity or “doing it right” that we stifle our creativity. In this class we’ll focus on one of the hardest parts of writing: writing.
"I’m half crazy with the wonder of it- the abundance of leaves, the quietness of the branches, the hopelessness of my effort. And I’m, in that delicious and important place,
This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal
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