Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our community space and bookstore at 716 SE Grand Avenue, Portland, OR, online, and at partnering venues across Portland and Oregon.
Over the four weeks of this course, we’ll work to demystify the submission process. We’ll discuss how to find publications you’re excited to send your work to, set up personalized submission goals and to-do lists, and organize our own systems for keeping track of our submissions.
Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.
You have a great idea—but is it ready to become a book? In this interactive workshop, you’ll refine your nonfiction concept and clarify what your book is really about, who it's for, and how it stands out.
In this generative and craft-focused class, we’ll explore how close reading can unlock our own voice. We’ll study excerpts from your favorite authors, examine sentence structure, tone, rhythm, and emotional pacing, and organize our findings into a living document you can return to again and again.
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May.
This six-month class is designed for memoirists in the early to mid stages of their memoir writing journey looking for consistent, in-depth feedback on their work. We will study four different memoirs in this class, along with several excerpts and essays.
This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May.
This course is a guide to the spirit and ethos of Oulipo and their collaborative experimental writing approach, designed to free the mind through constraint.
Each session will offer generative prompts and experimental forms for writers to respond to. No prior knowledge or skills required other than a sense of curiosity and a desire to test, try, and experiment with writing.
During this eight-week course we’ll read and discuss genres and craft elements like fabulism, magical realism, absurdity, unreliable narrators, trick mirror logic, and more. Through generative prompts and constructive feedback, we’ll begin to craft our own acutely surreal realities. Expect to leave with several fresh starts to weird and wonderful works.
This eight-week memoir workshop teaches writers how to transform personal experiences into compelling scenes that captivate readers. Students will learn to craft authentic moments from memory, weave reflection seamlessly into narrative, and build scenes that invite readers into their lived experiences while revealing deeper emotional truths.
A generative writing workshop to create material from a variety of prompts, models, and methods. We will build community with each other, learn some revision hacks, share feedback, and come away from the weekend intensive with plenty more to think about and develop in our writing practice.
Visual poetry is as expansive as it is playful which can complement any writer’s practice. Over the course of this six-week workshop, writers can expect to generate four new poetry experiments, one complete visual poetry project, and leave the workshop with a working knowledge of this exciting genre.
In this six-week class, using 2024’s Best American Short Stories as our guide, we’ll explore a selection of contemporary fiction—deemed this year’s best—with an eye to steal from them. This year’s guest editor, Lauren Groff, writes that these stories “buzz with their own strange logic.” We’ll examine the inner workings of these stories to decipher some of that strange logic, but more pointedly, we’ll focus each week on one technique, discuss how the author is achieving a desired effect, and practice employing it in our own writing.
Throughout this eight week course, students will look at the many ways in which humans are connected to our natural surroundings, both urban and remote. Weather, soil, plants, wildlife, changing systems, and more will all be explored. By delving into the inherent close relationship humans have with the natural world, each student’s path to writing their own stories using the natural world as scaffolding will emerge.
This is a workshop for self-identifying Muslim artists to join together in a joyful, supportive, and courageous community space to share their short fiction, non-fiction, poetry, or screenplays and receive feedback with the expressed goal of submitting their work for publication upon conclusion.
Learn the craft of narrative writing. Participants will learn to write perceptively – deploying their five senses and delving into feelings as they write. They will learn how to leverage narrative distance, writing between their ideas and the immediacy of their experiences to see how distance can affect the emotional weight of the work. They will learn how to use metaphors as a means of discovery, to harness verbs, and to modify sentences for focus and impact.
This six-week seminar is designed for writers interested in doing deep reads of contemporary literature from a craft perspective. We will dissect the structure and language from five very different short stories so that we can apply some of the same tools these writers use in their work to our own. Delve for Writers is an occasional series of seminars designed to help writers improve their craft through close readings of contemporary poetry and prose.
This foundational series is for personal nonfiction writers ready to shape real-life experiences into engaging stories with intention and clarity. Over four sessions, you’ll learn how to identify your memoir’s deeper message, build a strong narrative arc, and make structural choices that serve both your story and your reader.
In this class we’ll study and practice specific techniques used by established speculative fiction authors such as N.K. Jemisin and Nalo Hopkinson. We’ll examine examples of “worldbuilding in small doses” and try our hands at it. We’ll discuss the merits of creating worlds from the inside out versus going from the outside in. We’ll cover viewpoint, voice, neologisms, “found” texts, and other elements of this aspect of writing with exploratory and generative exercises.
In this three hour interactive workshop, you’ll refine your nonfiction book concept and clarify what your book is really about, who it’s for, and how it stands out. Whether you’re writing a memoir, self-help, personal growth, or thought leadership book, this session will help you focus your purpose and shape your message.
At this three-hour class, we will read the beginnings of short stories, discuss their effectiveness, tone, and structure, and discuss whether they encourage us to keep reading and why.
In this four-week class, we’ll read and discuss ekphrastic poems by a wide selection of writers, creating our own definition of ekphrasis, pushing the boundaries of what an ekphrastic poem can be. We’ll engage with several essays by poets to get us asking questions and diving deeper into our craft.
In this one day class, we'll work to demystify the submission process. We’ll discuss how to find publications you’re excited to send your work to, set up personalized submission goals and to-do lists, and organize our own systems for keeping track of our submissions.
Join Michelle Kicherer afor a fast-paced 45 minute pop-up class focused on capturing the reader's interest.
In this pop-up class, we’ll capture the image as it appears and disappears through ekphrastic writing and erasure.
Creating suspense means posing questions. In this 45-minute workshop, we will focus on leading with suspense to evoke curiosity and engagement.
This four-week poetry class will focus on the practice of keeping a commonplace book and how that practice can lead to a more generative poetic life.
In this 3-hour course, we’ll learn how, where, and with what to begin our memoirs. We’ll discover that our first chapter is more than just the sturdy foundation to a life recorded, it’s a guide for you, the writer—both a map and its key.
Does what you write or how you write it change with the seasons? In these quarterly gatherings we’ll meet to be inspired by the turn of the world.
In this class, we will look anew at our manuscripts or rough drafts. We’ll locate the symmetries that already exist and expand them, push them to their fullest potentials. We’ll find themes and ideas that are intuitively central to our stories and ask whether they’ve been examined enough.
What makes a funny story more than just an elbow jabbing good time? In this class, we’ll read several humorous short stories and figure out what makes them impactful, lasting and literature.
In this six-week, workshop-meets-craft class, we'll dissect five different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. Each writer will have the opportunity to have one short story workshopped in this class, with written and verbal feedback from both instructor and peers.
Designed for writers who have an idea for a memoir in progress and are hoping to focus on character development, narrative energy and structure. In this six-week intensive, participants will generate 10-15 pages of additional material with a keen eye on the narrative bubbling beneath the surface.
Yallah! Muslims Write—New Year, New Writing is a generative writing workshop for self-identifying Muslim artists to join together in a joyful, supportive, and courageous community space to kick off 2026 with some fresh stories.
In this 8-week, in-person class, we’ll focus on one of the hardest parts of writing: writing. If you’ve taken Get Writing before, in January 2026 we’ll use all new writing prompts and exercises. If you’ve never taken it, we encourage you to get writing! This class is open to all writers wanting to generate new work and learn more about the craft of writing.
This class is intended to get you started on your novel, get you feedback, and keep you going. We’ll workshop excerpts of novels-in-progress, if you have them, but we’ll also work through low-pressure exercises intended to generate ideas and make narrative sparks fly.
In this workshop, we’ll read the first pages of novels by writers like Virginia Woolf, James Baldwin, Toni Morrison, Louise Erdrich, Celeste Ng, Julia Armfield and more. We’ll consider the craft of a novel’s beginning and ways this can fit into the process of writing the full manuscript. Students will workshop their own first pages with each other and receive instructor feedback on up to 25 pages that begin their novels.
Every story emerges from a prompt: a memory, an image, an historical incident, a song, a family tale. Experimenting with a wide array of such prompts can be a great way of discovering and developing stories, especially the ones that you didn’t know you wanted to tell.
Scenes are the heartbeat of storytelling. This class explores how to craft vivid, purposeful scenes that immerse readers and move your story forward. Through examples, exercises, and feedback, you’ll learn to build tension, reveal character, and balance showing and telling across fiction and nonfiction.
While this course will predominantly take the form of a workshop, it will also feature discussions of published works to explore the “absolutes” that govern the art of fiction and creative nonfiction, as well as to equip students to appreciate how they might bend if not break these rules in service of the stories that they hope to tell.
In this course, we’ll respond to writing prompts that engage the memory and summon the events of our past. By the end of week 8, all students will have a clear and succinct vision for their memoir, a revised outline, and the knowledge of both stories it is telling.
This online poetry class will focus on the idea of obsession as a driving force for writing poetry - what you, as a poet, are interested in in terms of subject, style, forms, and even research or archival work. We will explore obsession as a poetic concept, and read example poems/poets and interrogate how obsession can be a catalyst for generating writing.
This six-week course is designed to help students finish a draft of a manuscript. We'll read craft essays about drafting a book, set aside time each week to discuss problems we're having with manuscripts, and design a schedule for each student to ensure everyone addresses the issues specific to their draft.
What makes a funny story more than just an elbow jabbing good time? In this class, we’ll read several humorous short stories and figure out what makes them impactful, lasting and literature.
In this six-week, workshop-meets-craft class, we’ll dissect five different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. Each writer will have the opportunity to have one short story workshopped in this class, with written and verbal feedback from both instructor and peers.
In this workshop, we will ask: what can writing teach us about the ways we move through the world? How can we use our words to dismantle our own biases and the systems that live within us? Through exploration of gender and sexuality in creative texts across genres by TLGBQ+ and gender non-conforming writers, we will cultivate our own texts of interrogation and self-discovery.
In this brief two class session, students will work on several prompts and create an outline for their creative work.
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