Events, Classes, and Seminars

In this 8-week, in-person class, we’ll focus on one of the hardest parts of writing: writing. If you’ve taken Get Writing before, in January 2026 we’ll use all new writing prompts and exercises. If you’ve never taken it, we encourage you to get writing! This class is open to all writers wanting to generate new work and learn more about the craft of writing.

This class is intended to get you started on your novel, get you feedback, and keep you going. We’ll workshop excerpts of novels-in-progress, if you have them, but we’ll also work through low-pressure exercises intended to generate ideas and make narrative sparks fly.

In this workshop, we’ll read the first pages of novels by writers like Virginia Woolf, James Baldwin, Toni Morrison, Louise Erdrich, Celeste Ng, Julia Armfield and more. We’ll consider the craft of a novel’s beginning and ways this can fit into the process of writing the full manuscript. Students will workshop their own first pages with each other and receive instructor feedback on up to 25 pages that begin their novels.

Every story emerges from a prompt: a memory, an image, an historical incident, a song, a family tale. Experimenting with a wide array of such prompts can be a great way of discovering and developing stories, especially the ones that you didn’t know you wanted to tell.

Scenes are the heartbeat of storytelling. This class explores how to craft vivid, purposeful scenes that immerse readers and move your story forward. Through examples, exercises, and feedback, you’ll learn to build tension, reveal character, and balance showing and telling across fiction and nonfiction.

While this course will predominantly take the form of a workshop, it will also feature discussions of published works to explore the “absolutes” that govern the art of fiction and creative nonfiction, as well as to equip students to appreciate how they might bend if not break these rules in service of the stories that they hope to tell.

In this course, we’ll respond to writing prompts that engage the memory and summon the events of our past. By the end of week 8, all students will have a clear and succinct vision for their memoir, a revised outline, and the knowledge of both stories it is telling.

This six-week course is designed to help students finish a draft of a manuscript. We'll read craft essays about drafting a book, set aside time each week to discuss problems we're having with manuscripts, and design a schedule for each student to ensure everyone addresses the issues specific to their draft.

What makes a funny story more than just an elbow jabbing good time? In this class, we’ll read several humorous short stories and figure out what makes them impactful, lasting and literature.
In this six-week, workshop-meets-craft class, we’ll dissect five different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. Each writer will have the opportunity to have one short story workshopped in this class, with written and verbal feedback from both instructor and peers.

In this workshop, we will ask: what can writing teach us about the ways we move through the world? How can we use our words to dismantle our own biases and the systems that live within us? Through exploration of gender and sexuality in creative texts across genres by TLGBQ+ and gender non-conforming writers, we will cultivate our own texts of interrogation and self-discovery.

In this four part class, we will consider the what, why, who, and how of form: what form is, why we might choose to write in an inherited form, alter an inherited form, or write in a made-up form, and how we might go about doing so.

Feeling stuck or scattered in your writing project? This class helps you find direction, reconnect
to your creative purpose, and create a sustainable plan for momentum and flow in your work.

In this short story-specific workshop we will read, discuss, and critique each other’s complete short stories in a supportive environment. We will also read published stories, and practice craft and editing techniques. We will close with an emphasis on radical revision practices so that you may continue polishing your work.

Go beyond recounting events—discover how to write with emotional honesty and depth. This
class helps nonfiction writers translate lived experience into meaningful stories that resonate
with readers.

Are you writing a novel? Do you want company? Writing a novel is an intensive and often lonely experience. This course brings novel writers at all stages of the process together to support each other for 8 weeks.

In this three week class, participants will diversify approaches to place-based writing by following the auditory threads within their poems and worlds alike. Each week, we’ll identify and write with sound-oriented devices to channel the sensuous qualities of our chosen environments.

Does what you write or how you write it change with the seasons? In these quarterly gatherings we’ll meet to be inspired by the turn of the world.

Try a tarot reading for a character or write a poem inspired by tarot images! Tarot is both deeply symbolic and highly narrative, creating a system that can inspire and guide many forms of writing. This multigenre workshop will introduce techniques for using tarot in one’s writing practice.

In this one-day class, we will learn about the history of the sijo, its relevance to Korean literature, and the unique sensibilities and affordances of the form, while also getting several opportunities to write our own with guided instruction.

Participants in this one day class will read, draft, and collaborate in revising letter poems that balance the public with the private, the close-to-bone with the common. Through generative, constraint-based prompts, participants will explore the tension between forms of direct address and forms of poetic allusion to speak to, or point towards, what’s been left unsaid in their poems.

Through guided meditations, writing exercises, and reading excerpts of big-hearted, emotionally courageous literature, writers of fiction and nonfiction will develop more self-connection, feel compassion for themselves as writers as well as for their characters, and care for their nervous system during the writing process, so they can enjoy more flow, catharsis, and joy.

In this course we'll read a number of first-person stories and discuss the advantages and risks of this perspective and how the first-person perspective is effectively established and sustained. Participants will use prompts to experiment with the many possibilities of the first-person in their own creative work.

This summer, let’s finish a story! This creative writing workshop is a fresh take on an old classic: a writing workshop with a focus on craft. Using examples from literature, we’ll examine what is working in several contemporary short stories then take a deeper look at our own work.

Through brief readings, writing prompts, and generative exercises, we’ll welcome in and attune our writing to the time of year.

This workshop will center transgender, nonbinary, and gender nonconforming writers in all workshop materials and its approach.This Pride month, join TGNC+ writer Brody Parrish Craig (they/them) to celebrate contemporary trans poetry, generate new creative work & share our stories with one another.

This generative summer writing class will be a journey through all five senses. Each week we will read and/or view published pieces that focuses on a specific sense, then develop our own sensory work through discussion and generative prompts. Open to writers of all genres and experience levels.

Turn lived experience into a compelling memoir. This four-week course helps writers shape personal stories with clarity, structure, and intention. You’ll explore narrative arc, voice, and emotional truth while learning how to craft a story that resonates without losing your thread along the way.

Each week, we will read and discuss short pieces and excerpts from contemporary authors who are known to weave their pasts into the present including Annie Erneaux, Joan Didion, Ayad Aktar, Sonya Walger, Aysegul Savas, Rachel Cusk, Emmanuel Carrere, and others. There were also be to weekly craft essays on various genres (memoir, personal essay, autofiction and hybrid).

In this one-day workshop, we’ll review practical, applicable revision tools for each stage of the revision process. Then, we’ll take some time to reflect on what parts of your work-in-progress to tackle next.

You’ve worked hard on your writing and you want to bring it to your readers beyond the page. As writers, we don’t often get much instruction in performing our work. Even as we give public readings, make audio recordings, and film our excerpts for the internet, we’re often left to our own devices. In this course, we’ll practice reading our work aloud, incorporating theatrical techniques and exercises, and experimenting with performance styles to bring our words to life for an audience.

In this generative writing workshop, we will explore a slice of Portland as flâneurs, or writers who walk and observe as part of their practice.

Write about difficult experiences with honesty and control. This six-week course helps you navigate vulnerability on the page without feeling exposed or stuck. Through guided exercises and discussion, you’ll develop strategies to approach sensitive material with clarity, emotional safety, and intention so you can tell the truth while staying grounded.

This class will provide an introduction to journalism for every writer. Learning the fundamentals of reporting, researching, writing, editing and fact-checking can enhance any writing practice. In five, two-hour sessions, students of all levels will learn basic journalistic skills they can apply to their own projects, whatever the genre.

Together we will read & write creative writing on substance abuse, addiction & recovery, with an emphasis on harm reduction, healing, and reclamation. We will look at poems, short stories, and essay writing centering themes of addiction by their loved ones and by those with lived experience.

Although this course will predominantly take the form of a workshop, it will also provide insights into the craft of writing by drawing upon principles from The Art of Fiction, essays on literary craft, and published short stories. Designed for beginner and advanced writers, this course meets for ten sessions total. Students will have the opportunity to share two pieces (up to 25 pages each) and receive constructive feedback in a thoughtfully facilitated, supportive atmosphere.

This class is designed to demystify the editing process with applicable tools for editing at each stage of your draft. From fiction to creative nonfiction, this five-week workshop offers in-depth looks at different editorial tools to use to help you refine your story and your language.

This five-day intensive teaches writers the essential elements of compelling scene construction. Over five class meetings, students will learn to create authentic characters, ground readers in vivid and purposeful setting, weave exposition seamlessly into narrative, and build scenes that draw readers in and hold them page after page.

This craft-focused workshop is built around personalized feedback on work in progress. Each session, the group reads and discusses four writers’ submissions, and for every piece, the instructor prepares an individual craft lesson—the one element she believes will most help that piece take its next step forward.

Every writer has moments that seem larger than themselves: a night sky, a death, a first encounter with art, a dream, a sentence in a book, a city seen from above, a strange conversation, a childhood image that never stopped working. This one-day workshop helps writers return to one such moment and begin shaping it into literary material.

This class will provide practical insights and techniques to craft short stories that captivate and create an emotional resonance with readers. We will explore the practice of writing fiction as an experience that not only includes putting words to page, but also as an act of listening, observing, and paying attention.

In these quarterly gatherings we’ll meet to be inspired by the turn of the world. From autumn leaves to springtime flowers, rain and snow and sun, we’ll consider nature’s shifts and how we can incorporate them into our writing practice.

What about any story makes you want to keep reading? In this class, we’ll look at the openings of several short stories and creative nonfiction pieces with a special focus on the craft: how was the story written in a way that makes it successful?

The spiral holds great meaning for cultures all over the world and has captivated our attention throughout ancient and modern time. In this 3-part generative writing workshop, we’ll expand our writing across multiple genres including poetry, essay, and narrative with prompts inspired by multicultural authors.