Events, Classes, and Seminars

In this three week class, participants will diversify approaches to place-based writing by following the auditory threads within their poems and worlds alike. Each week, we’ll identify and write with sound-oriented devices to channel the sensuous qualities of our chosen environments.

Does what you write or how you write it change with the seasons? In these quarterly gatherings we’ll meet to be inspired by the turn of the world.

Try a tarot reading for a character or write a poem inspired by tarot images! Tarot is both deeply symbolic and highly narrative, creating a system that can inspire and guide many forms of writing. This multigenre workshop will introduce techniques for using tarot in one’s writing practice.

This eight-week class offers an in-depth exploration of how to optimize writing habits and routines for productivity and mental health.

In this one-day class, we will learn about the history of the sijo, its relevance to Korean literature, and the unique sensibilities and affordances of the form, while also getting several opportunities to write our own with guided instruction.

Each week we’ll use new prompts and guided activities to inspire new creation. We’ll look at the work of writers we admire and ask: how’d they do that? As they say, writing is a muscle, and no matter what your experience level, you have to continually exercise that muscle and practice new tools to keep your writing nimble and moving.

Participants in this one day class will read, draft, and collaborate in revising letter poems that balance the public with the private, the close-to-bone with the common. Through generative, constraint-based prompts, participants will explore the tension between forms of direct address and forms of poetic allusion to speak to, or point towards, what’s been left unsaid in their poems.

The sijo is Korea’s most prominent and enduring traditional poetic form. Characterized by a clarity and accessibility that belies emotional complexity and tonal nuance, it is a form that prioritizes the unsaid and best grapples with the unsayable. Writing in this discipline exercises several poetic skills that we will focus on and hone throughout this six-week workshop.

In this six-week, workshop-meets-craft class, we'll dissect six different short stories and figure out: How did the writer do that? We’ll then apply some of those same literary tools to your own stories. Each writer will have the opportunity to have one short story workshopped in this class (ie; written and verbal feedback from both instructor and peers).

Through guided meditations, writing exercises, and reading excerpts of big-hearted, emotionally courageous literature, writers of fiction and nonfiction will develop more self-connection, feel compassion for themselves as writers as well as for their characters, and care for their nervous system during the writing process, so they can enjoy more flow, catharsis, and joy.

Each week, we will read and discuss short pieces and excerpts from contemporary authors who are known to weave their pasts into the present including Annie Erneaux, Joan Didion, Ayad Aktar, Sonya Walger, Aysegul Savas, Rachel Cusk, Emmanuel Carrere, and others. There were also be to weekly craft essays on various genres (memoir, personal essay, autofiction and hybrid).