Events, Classes, and Seminars

Our events, classes, and seminars bring the community together to hear, learn, and discuss the most compelling issues and ideas of our day. We hope you will join us in our community space and bookstore at 716 SE Grand Avenue, Portland, OR, online, and at partnering venues across Portland and Oregon.

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Monday

May 5

Tuesday

May 6

Spring 2025   Writing Classes  

Following the Brush: Experimenting with the Zuihitsu form

In this generative class, we’ll explore the form’s history, then follow the brush into the ecotone between prose poem and lyric essay. Along the way, we’ll push, stretch, and experiment with the form’s possibilities for internal reflection. Writers will leave class with first drafts of zuihitsu on topics of their choosing, which can be further refined at home.

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Wednesday

May 7

Online Class   Writing Classes  

Missions and Manifestos: the artist statement and beyond

This is a course for artists, writers, or any human wanting to better define their purpose in life. We will read historical manifestos as well as contemporary artist statements and look at those artist and writer's work in the context of their words. Participants will then write their own statements, leaving the class with a long version, a condensed version, and a sense of how their practice will change to follow their stated purpose.

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Wednesday

May 7

Saturday

May 10

Delve Readers Seminars   In-person  

Herman Melville: Moby-Dick

In this seminar, we will tackle Melville’s whale of a book, exploring its philosophical insights, its debts to other writers (especially Shakespeare and Hawthorne), its commentary on US politics and culture, and (of course) its cetology, the chapters about whales and whaling. Across six weeks, we will take up Melville’s challenge—“Read it if you can”—and join the Pequod’s crew on their quests for knowledge, for friendship, and for revenge.

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Saturday

May 10

In-person   Writing Classes  

Where Do I Go From Here: Writing the Novel

This weekend intensive is designed for writers who have written at least the first two chapters of a novel. Limited to 8 students, each participant will have their work discussed, with feedback from the class and the instructor. Discussions will be focused on character development and plot and how to chart the next steps with your novel.

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Wednesday

May 14

Thursday

May 15

Spring 2025   Writing Classes  

From Idea to Manuscript: Crafting the Picture Book

Have you ever wondered how to turn your brilliant idea into a captivating picture book? In this 8-week course, you’ll learn the art of crafting picture books that leave a lasting impression. We'll explore the world of children's literature, studying beloved classics and contemporary favorites, to inspire your creativity. Through engaging lessons and hands-on workshops, you'll develop a picture book manuscript from concept to completion.

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Thursday

May 15

Saturday

May 17

Sunday

May 18

Tuesday

May 20

Tuesday

May 20

Wednesday

May 21

Wednesday

May 21

Wednesday

May 21

Thursday

May 22

Wednesday

May 28

Thursday

May 29

Friday

May 30

Saturday

May 31

Monday

Jun 2

Tuesday

Jun 3

Wednesday

Jun 4

Friday

Jun 6

Friday

Jun 6

Wednesday

Jun 11

Wednesday

Jun 11

Wednesday

Jun 11

Thursday

Jun 12

Online Class   Summer 2025   Writing Classes  

WRITE THE SELF: 8 weeks intensive

This course is for all levels of writers and readers. We will read and discuss excerpts from contemporary authors who write the self (or write from the basis of personal experience), in addition to weekly craft essays on various genres (memoir, personal essay, autofiction).There will be an opportunity to submit either one or two short excerpts of your writing (can be from a short story or novel-in-progress) to be workshopped during the class.

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Thursday

Jun 12

Delve Readers Seminars   In-person  

Annie Dillard: Holy the Firm

Known for her “fearless and unbridled” writing about the natural world, Annie Dillard’s first three non-fiction books conjure lyrical insights so vivid that they seem to burn. So much more than a “nature writer,” Dillard’s observations of whatever she’s looking at—the transient effects of an eclipse viewing in a small town, a near-deadly airplane crash on an island in the Pacific Northwest, the unraveling of a tangled snake-skin she finds wandering through the woods—reveal the living textures of things: their ordinary strangeness and transcendent beauty.

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Friday

Jun 13

Saturday

Jun 14

Saturday

Jun 14

Tuesday

Jun 17

In-person   Summer 2025   Writing Classes  

Creative Clarity, Focus and Momentum

Learn creative process skills for sticking with a writing project from initial idea to completion. If you dream of writing that novel or finishing that poem, but you feel scattered, overwhelmed, or stuck with many beginnings but no finished product, this workshop will offer you gentle and effective ways to work through creative blocks so you can finally share your creative expression with your readers.

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Tuesday

Jun 17

Wednesday

Jun 18

Saturday

Jun 21

Saturday

Jun 21

Sunday

Jun 22

PNCA Low Res Reading

Join the Pacific Northwest College of Art writers Stephanie Adams-Santos author of Dream of Xibalba, Megan Milks author of Margaret and the Mystery of the Missing Body, Poupeh Missaghi author

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Tuesday

Jun 24

Wednesday

Jun 25

In-person   Summer 2025   Writing Classes  

Experiments in Fiction

In this six-week generative course we will read, watch, and listen to a wide range of sources—from traditional short stories to anonymous online forum posts, podcast excerpts, and short videos of people arguing at home or in the street. Each week we’ll discuss what story lives inside our experimental source, and will then come up with a prompt based on that source together.

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Wednesday

Jun 25

Thursday

Jun 26

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